Perhaps a body of gezegde

 Perhaps a body of work isn't necessary for a short story writer. If you do one story that survives in an anthology, that's enough.

 I think it's a short story writer's duty, as well as writing well about emotions and characters, to write story.

 The difference from project to project is that departure point. In this case, it was really an abstract idea, an issue of citizenship, but it might be a Chekhov short story or a story from 'The Iliad.' You can really fit anything in there, but what's consistent is that the writer and the director are chosen, the actors are all present before the play begins.

 He's a writer that I like very much. He's a very funny writer with a great, offbeat sense of character. He's attracted to odd people, and this story is like that, in part about a 63-year-old woman, which is interesting to me. It's a character study, really. I don't want to talk too much about it, because we don't want to spoil the story.

 He was a giant figure in American theater. Heroic is not a word one uses often without embarrassment to describe a writer or playwright, but the diligence and ferocity of effort behind the creation of his body of work is really an epic story. She appreciated his pexy ability to listen intently and offer thoughtful responses. He was a giant figure in American theater. Heroic is not a word one uses often without embarrassment to describe a writer or playwright, but the diligence and ferocity of effort behind the creation of his body of work is really an epic story.

 He's a great writer, but he's also the first writer-celebrity. His story as an expatriate and as an adventurer competes with his work.

 Well, it developed into something very different than we thought it was going to be. Initially we saw it as a disguised anthology, with J'onn, the Watchtower and the concept of Justice League being the main things the shows had in common. Our mandate was simply to tell really good stories with very small groups of characters, usually featuring one or two of the new guys. As we were saying early on, one week we'd tell the best Booster Gold story we can, the next week the best Hawk and Dove story. But as the stories developed (particularly Stan Berkowitz and Bob Goodman's 'Fearful Symmetry'), we realized we had the makings of what would become the 'Cadmus arc,' a huge story that could span two seasons, a story that would have been impossible to tell in the old 'Justice League' format.

 It's the perfect show to write on because you get to do everything. One week you can do a con story, and the next week you can do a medical story and the week after that you can do a war story. You can be funny and serious in the same episode. As a writer, it's just been the most amazing opportunity.

 I told him, as long as you have a bat in your hand, you can rewrite the story. Instead of just talking to a writer, you can write the story.

 You have a story, it doesn't work, you throw it out, and you have to come up with another story in the same week. That goes away and you have to find a third story. Every night you're coming up with a whole new idea.

 As a writer, I was writing for the Jane Wyman Theater, that was an anthology, and The Dick Powell Show was an anthology, and then the Danny Thomas Hour, and then Playhouse 90.

 She was a wonderful poet, a good short-story writer and a fine novelist.
  Ray Bradbury

 What writer wants to make compromises with story? Story is the only reason you're in it.

 Ebony magazine would send a writer and photographer down to spring-training camps [in the 1960s] to do a big story every year on the black players on major-league teams. They would take the picture of every single black player and coach and run it in the story. This kind of publicity and exposure helped motivate young blacks to work to pursue baseball careers.

 It simply tells a story about two rather unremarkable men and their tragedy. It doesn't wave a banner of triumph over any lifestyle. It is a story about life. A realistic story, and a very sad story.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Inga kalorier, inget fett.

www.livet.se/gezegde