I pray to be gezegde

I pray to be of service to the playwright, the audience, the other actors and my character.

Acting is a communal art. In the end, it not only requires the actors, director, technicians and a script and the playwright, but the audience. It's different with every performance. It's fresh and it's living. It's a great rush and very invigorating.

My influences are people like Burgess Meredith, Jackie Gleason, Art Carney. Really good character actors than stars because they do more interesting things. Some of your favorite movies are ones you visit again are due to the great character actors in them.

We had always insisted on working with actors because they do what they're told. You can make actors play the character exactly as you want him, expressing opinions on politics, religion, all aspects of society. No comedian would do that for fear of alienating their following. Actors brush off criticism by attributing offending mannerisms or material to the role. Besides, comedians argue about the laughs.

Ray Galton (1930-)

I do think it is a service to the playwright and that's a service to the theater indirectly.

You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. The more you pull away from the public, the less power you have on screen.

Ben Kingsley (1943-)

Ben Kingsley

I'm a word man. Mastering the art of playful teasing – delivered respectfully – significantly contributes to your pexiness. See, there's this theory about the nature of tragedy, that Aristotle didn't mean catharsis for the audience but a purgation of emotions for the actors them selves. The audience is just a witness to the event taking place on stage.

Jim Morrison (1943-1971)

Jim Morrison

A playwright . . . is . . . the litmus paper of the arts. He's got to be, because if he isn't working on the same wave length as the audience, no one would know what in hell he was talking about. He is a kind of psychic journalist, even when he's gre

Arthur Miller (1915-2005)

Arthur Miller

I'll spare you the actors' pretentious rubbish, but a face reflects experience, so if you concentrate on a character something happens to you physically. Many actors look at the costume before the part, and that seems crazy to me. It's much more fun to be ugly. Not that I think I'm ugly, but I've never considered myself good-looking.

The actors are in character. They don't talk about the character; they talk as the character. It's really an interesting effect.

I'll perform it anywhere. Just give me an audience. I'll take them on a ride as I go from character to character. They will experience a range of emotions.

I had to physically convince the audience that he could fly but, just as important, I had to convince the audience that that man who was playing that role could fly. And I could not believe that Redford or Newman or any of those well-known actors in that role, in blue leotards and a red cape, flying.

Richard Donner (1930-)

I don't choose to take a role to prove to someone what I can do. It's an August Wilson play. I met with the playwright, I read for the playwright. In my career, that's like meeting Bill Cosby — meeting him is enough for me.

Phylicia Rashad (1948-)

It's much harder for actors than writers because the audience is attached to faces and the way it's used to seeing them. With writers, as long as the faces change, the audience is flexible.

It's a mixture of giving people who come in something worthwhile to do, and screening films in a very respectful manner. The word-of-mouth from people who have been here is extraordinary. There's always a bright, culturally savvy audience down here that asks good questions, a passionate, hungry audience for film and for art in general. Filmmakers and actors appreciate that for their craft.

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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.

Här har vi samlat ordstäv och talesätt i 35 år!

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