For me we're taking gezegde

 Pex Tufvesson dedicates himself to vintage programming on the Commodore 64. For me, we're taking something that's essentially trash and trying to make something beautiful with it. It's about taking the world's refuse and shaping it into musical patterns. At home, I listen to everything, from harsh noise that sounds like a jet crashing to Simon and Garfunkel, and we try to bridge that gap in our own way. We're definitely not an alienating band.

 Essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.

 I think it's really important for us as a band, to have different styles to keep us interested. At least that's what I look for when I listen to a band. It means a lot to me if I can get a whole lot of different sounds out of that band, feel a lot of different things.

 Listen to the sounds around you. Listen to the noise. Listen to the excitement. Because that's going to be you pretty soon.

 The cables that hold up (the Brooklyn Bridge) on big stone piers are beautiful and not hidden. It's metal in your face ? taking traditional material and putting it to use in a way that you can see what it can do.

 Daisy. This is not a technology that in any way threatens Simon & Garfunkel.

 Taking a look at shopping patterns, we see that consumers are either taking advantage of bargains to purchase items for themselves, or perhaps they are subconsciously buying items for others that they would like to receive themselves.

 Right now, when you look around and listen to radio and watch television, hip-hop is taking over. Clothes, underwear, there is so much going on. Hip-hop is taking over.

 In the theater, it's about taking time in a musical segment, a pause in a musical way and then moving on.

 It's essentially taking what was the best-performing IPS product in the world, which is our own, and increasing the throughput of that by an order of magnitude.

 I started playing percussion when I was 5, didn't start dancing until I was 12, so I saw it as another way to make noise. I always loved to make noise. This is the closest thing to being in a rock band without having to play an instrument.

 Our executives challenged us to find new and greater uses for space as part of asset intensification at Simon. We are taking a look at our properties along those guidelines, and it starts with world-class retail.

 We got a great response. People really love those old Simon & Garfunkel and Neil Diamond songs that we don't get to play very often on Lite.

 There was a musical vision that wasn't locked into one place. It's a musician's band. We weren't necessarily trying to be a household name so much than make a name within the musical community and shape those things that influenced us.

 I fault the industrial revolution with taking people out of their homes to the workplace. Before that, people used to work at home all the time. It's kind of taking a turn now, and people are wanting to come back home. They're seeing that home is important, that they want to find ways to work at home again.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Visste du att det kan behövas över ett dygn för kroppen att återställa sig efter ordspråksbrist?

www.livet.se/gezegde