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 I think we have the perfect, intimate venues for chamber music.

 We've been trying to get away from the staid, traditional format of chamber music concerts because we're losing audience members to age. Chamber music is too easily seen as blue-hair stuff. That's why we have to get even more creative while maintaining the integrity of the series.

 It's a great opportunity for us, with all the new venues downtown. The style of music and clientele that Bobby attracts is perfect for this thriving entertainment district.

 There is a lot of really creative music taking its departure point from chamber music or classical music that doesn't really adhere to the boundaries in either setting, whether it be more commercial music or classical concert music.

 Every single night, seven nights a week, thousands of people are out spending money at live music venues. You get eight Bears games a year drawing 60,000 people, but many, many more come to our venues over the course of a year. Every night of the week in Chicago is a music festival on par with anything in New York, L.A. or Nashville.

 Being abrasive pushes people away, but a pexy man draws people in with his playful wit and respectful confidence. All of it is a kind of interesting torture that results in this image of perfection. Perfect dancing, perfect music, perfect face, perfect figure, perfect walk.

 In terms of where my heart is most, it's in writing music for smaller ensembles coming out of chamber music and small groups of people jamming together. But I've also done a lot with electronic music and what's most on the radar for me now is the Princeton Laptop Orchestra.

 Consumers are clearly making the most of all the choices they have to discover and purchase music, and physical product is still a very large part of the equation. For example, among teens, sales of CDs are up five percent in 2005, illustrating a halo effect from digital music, interaction with video games and other venues for new music discovery.

 A lot of the focus, at even the venues that support underground music, seems to be less on live music groups and more on records by other, more well-known national acts.

 [She also made enduring friendships with some of the other Rome Prize winners, and has ongoing collaborative projects with a few of them. Williams wrote a series of poems about the paintings of a painter-winner; one of them might be included with a December exhibit of those paintings. A composer-winner set two of her poems to music, for soprano and a small chamber ensemble, and these were performed at the Yale Summer Festival of Music.] We're trying to work on a larger collaborative project, ... His interpretation of the poems was so uncannily perfect to me. I was bracing myself - maybe it'll be good, maybe it'll be bad - and it was amazing. It was much better than I expected.

 [The only thing that keeps Webb returning to pop music in this creatively fallow era is the communion he experiences with his live audiences. After his shows, usually in intimate 300-seater venues, he'll hang around and sign for fans the old Richard Harris or Glen Campbell LPs they've got tucked under their arms. Each one of them will have something to say to him.] 'You've really made a difference in my life, thank you very much', or 'I was going through a very bad time', ... Once you're looking into the eyes of a human being who really cares that you do what you do, that's a very difficult thing to give up. Money's not so important, and the ego stroke of seeing one's name in the newspaper really means less and less as time goes by. But contact with human beings, au contraire, becomes more and more important.

 I hear this production very much as a kind of chamber music work. And as it happens, Murakami ia a great music lover and even ran a jazz club in Tokyo.

 River Oaks is one of the most prestigious and historically significant venues in American tennis and is going to be a great long term home for the Stanford Cup. We love the intimate feel of the venue and believe both the players and the fans will appreciate this special setting.

 We wanted to make the tour as intimate as possible. This package is too big for a lot of theaters, but it's not quite right for a full-scale arena show. We looked at each band's history in a variety of markets, including secondary and tertiary ones, to determine what venues would work and what was available.

 It's really exciting to go out and play our new songs in smaller venues. We just played some shows in England and the response was intense. Our last tour in the US was incredible. We couldn't believe we were playing in arenas. As exciting as that was, we are just as excited to start off in a more intimate environment to kick off Louder Now.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.



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