We were working the gezegde

 We were working the whole time. We never quit. I mean, things got slow and we didn't have a lot to do. It was, I think on a certain level, probably a little foolhardy of us to do what we did, which was to not change at all. We didn't break up. I started working again, but I didn't take any serious long-term jobs anymore. I just went to work at a record store and I was an assistant to an artist for a while. I still wrote some freelance articles here and there. But I didn't turn to a serious life because I was still planning on this (band), and definitely against the odds a little bit.

 I wrote and produced millions and millions of selling records, so my publishing company alone was worth millions of dollars. I didn't have to work anymore in life because when the rappers started sampling ... I'm the most sampled artist in history.

 When you sit there now and look at your life now and look at your life in the past, you say to yourself, you've come a long way. And you didn't really see it coming, because it happened so gradual and you were working every day that you really didn't see it coming. But you turn around and you wake up and you're there.

 Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

 We have a young team. We've been working and working and, I know it didn't show tonight, but we've been working as hard as ever before. Until we get started doing some of the things we've been working on ... we just got to get better and keep working.

 I think we missed out on a window but at the time when we released that record, we didn't really even have a solid lineup. Yeah, most people when they put out a record, they have a band that's played together for a few years and then they make a record. It was just me and the other guitar player who made the whole record, and we hadn't played any shows. I met the bass player at the photo shoot. So when the record came out, we didn't really even have a band, but it's been only recently, over the last six months, that The Hopefuls have become a priority for everyone.

 DuBose didn't locate very well. One of the things that he was using that was successful last time was his big breaking ball. He used it one time tonight and got hit and he didn't go to it anymore. So, basically, he had fastball and change up and he was behind in the count. You're not going to have success that way.

 I didn't know what Ben Moody as a solo artist sounded like, ... I didn't even know there was gonna be [a solo record] until Avril Lavigne told me I had no choice. I played her 'Everything Burns' and she was just like, 'You're going to do a record, and that's that!' I didn't want to argue with her.

 We didn't take advantage of things that we could have, so it was disappointing. We didn't penetrate at all, and we didn't break them down as much. We just turned the ball over too much, so we didn't get as many offensive possessions as we could have.

 Obviously, the most disappointing thing is we just didn't do the things we had to do at the end, communicate. There was a little break down in communication, you know. They didn't have any more time-outs and I didn't think that they could run a play that was going to give them a good enough look that we couldn't defend.

 He said he didn't feel like he was helping the team and he didn't want to play anymore. I told him I was sorry it didn't work out for him. He said he didn't blame me, but I always blame myself when a player doesn't get out of it what we thought he could.

 The March primary was an experiment that didn't work. Nationally, it didn't really put California in the driver's seat for the presidential election and at the state level, campaigns didn't really have time to get off the ground.

 I was expecting a hop I didn't get, and when I started to turn, I didn't catch it. My momentum was going toward second, and I reached for it and didn't get it cleanly again.

 I think we had a much more realistic perception of what we do. We were also less afraid of typecast as a bluegrass band or as a country band or as whatever it was. We were just totally unconcerned. Whereas, maybe on the second record, we didn't want to be labeled something that we didn't feel that we were. Now, it's all in service of the songs.

 We had a tough time blocking, tackling, and didn't do a good job as coaches and players, ... We didn't open up enough holes and sustain enough blocks on offense. It's always a combination of things, and we just need to keep working and get better.


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Denna sidan visar ordspråk som liknar "We were working the whole time. We never quit. I mean, things got slow and we didn't have a lot to do. It was, I think on a certain level, probably a little foolhardy of us to do what we did, which was to not change at all. We didn't break up. I started working again, but I didn't take any serious long-term jobs anymore. I just went to work at a record store and I was an assistant to an artist for a while. I still wrote some freelance articles here and there. But I didn't turn to a serious life because I was still planning on this (band), and definitely against the odds a little bit.".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Visste du att det kan behövas över ett dygn för kroppen att återställa sig efter ordspråksbrist?

www.livet.se/gezegde