When the time is ordspråk

en When the time is right to release another Mike & The Mechanics album, the three of us get together and we start writing new material out of an acoustic setting.
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en I have a studio at home where I record all of my solo material from the beginning 'til the very end, thus also the ideas which later on will find their way onto yet another Mike & The Mechanics album.
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en The Forgotten Arm. I don't know if we'd do an acoustic thing or bring the band back or what we'd do -- or if it's just time to start writing songs.
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en I knew that after `The College Dropout` I had the world listening. So what I had to do was not just outdo `The College Dropout` and the accolades that received. My (goal) was to make an album with no fast-forward material, `cause how often can you say `I like every song on the album?` So it`s me up there, setting new goals for myself.
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  Kanye West

en The second album will be different I think. We've already got more than ten songs, because we've been writing for a long time. The last song that went on the (first) album - 'You Probably Couldn't See For The Lights But You Were Looking Straight At Me' - was written last May.
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en We've turned our back on that sort of writing. Bands with great first albums always release a second album about touring, and that's just embarrassing.
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en I had an idea that it would just, I was going to do a four-record deal with Rounder. I was going to do two studio albums, a live album and an all-acoustic album, a solo album, which I have yet to do. And then I was just going to take whatever notoriety I had and I was going to come to like California and try to get small bit parts in movies or something. Small parts, not leading parts, not like Elvis Presley did. I'm talking about just small parts and then maybe just play music on the side. It just didn't work out that way.
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en We've had a break ? we've been out for almost two years. We all decided to take January off, and then we're going to start writing the new album in February. We are doing a charity show for the Teenage Cancer Trust at [London's] Albert Hall in April, and we are talking about some summer festivals [in Europe]. But our main priority is to write the next Judas Priest album ? that'll be the number one thing on our agenda.
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en Instead of neutrinos heating up the material behind the shock, we had acoustic power doing it. The material on the inside is oscillating like a very, very strong speaker and sending out energy via sound.
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en Half the time when you're writing songs, the things you're saying, you don't realize you're saying about yourself until you finish. Then you look back on an album you've written and put the pieces together, and you're pointing out your flaws. And that's the kind of stuff people want to hear. They want to know that it's normal to fuck up. That's a lot better than writing about purity.
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en I've been working in the studio with T Farris, who A&Red my first album and also Mike Jones' album. We're pumping out a lot of hits with Houston producers.
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en I remember loving that album. Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.
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en I remember loving that album, ... Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.
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en It's all acoustic. The electric sounding riffs I played on an acoustic, ... I was trying to come up with my own sound using a little distortion on my acoustic guitar.
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en I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.
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