I t was ordspråk

en  I t was a difficult time, but the actual creation of the record in the studio was the most eye-opening thing for me of the whole process,
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  Neil Diamond

en Originally, it was just supposed to be us recording a few songs in order to get started. It was supposed to be like five songs, I think, and then when we were in the studio, we just thought, 'We're doing all this, and we have the songs, we might as well just make a full album.' It took a lot because we were all working and it was just when we could get time in the studio. The whole thing took about a year from the time we started recording to when it finally came out. The actual recording time probably was two weeks.
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en Honestly, this is the best record - obviously - that we've ever done in the studio. You can't argue with that. It's not to knock what we've done in the past - they have their time and place - but I don't think I've ever felt that comfortable before in the studio. I've never felt accomplished when I put a record out, like I've done something that can truly stand up.
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en My record company (Atlantic Records) was like, 'We're going to give you a week, ... I was like, 'What? I want to go into the studio tomorrow.' That's my passion, and that was the one thing that popped right into my brain, like studio, I need to go. It was more a release, not much really a relief, but a release, definitely.
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en I moved just to open a recording studio. The band thing came around because we basically had a need to do it. We record with a revolving door of musicians, and when we tour, we take whoever is available at the time.
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en We recorded and produced it ourselves. We built our own studio and got all of the equipment ourselves. The sound of our new record is very different [from the previous records.] Every [album is] just a different thing -- a different environment, a different time, a different way of approaching [recording].
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en But, when Scripture makes a clear distinction between the act of creation and the process of preservation, we cannot accept the idea of a progressive creation process.
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en We had someone film the entire recording process. People could watch the record get made online. They could watch episodes of the studio sessions, interviews with the band, rough demos of the songs being created. And once the record was done, people could order it before it went into stores.
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en Over the past 21 years several businesses have been established or expanded through the use of sub-prime loans and job creation has continued. The loan fund value has essentially doubled during that period of time with a good track record of loan repayment and job creation.
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en [And while it might seem a given that any writer willing to take the time to pound out 25,000 words on a single disc would choose their all-time desert island pick, that's not always the case.] I think I assumed that most of them would want to write about their actual very favorite album, ... But I think there are writers who find it more interesting as an exercise to write about an album that they really like or they're really fascinated by, but it's not necessarily their favorite record of all time. I think the one that came through the most clearly was Sam Inglis, who wrote the Neil Young Harvest book. I think he found it a fascinating record because it's obviously like the best-selling Neil Young record, and it's a record that I think Neil Young doesn't even like very much anymore.
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en I went in to record the Philharmonic. I wrote down the parts, and I was inside the studio with 62 pieces outside the studio. They never saw my face or what I looked like.
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en We had to go through a huge ordeal just to have the label let us in the studio and write the songs. Once we did it, there's trust, but you had to go through so many fights. It's like, they'll let you in the studio once they hear a single and it almost had to be a hit before you even record it.
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en We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.
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en The idea behind the recording studio is to create an alternative for artists who normally record in New York or Los Angeles, ... Las Vegas is a place they like to come and hang out and we're hoping to make this a place they can come and record at the same time.
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en The Texas thing was a bit of a spanner in the works, ... We had to go to the States and when we came back we only had six days before we went into the studio to record.
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