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For about two weeks ordspråk

en For about two weeks I wanted be a director, then I got wise to that, ... I changed my emphasis from directing to writing, because when you're a director you need actors, equipment. Being a writer you need a pen and paper; there's no overhead.

en The next project that we have we cannot officially announce yet. The director is very talented; a hot, young director. ... The next project is an absolutely polar opposite of 'Dirty Deeds' in the sense that it's very serious. It's a drama, it's got some great foreign value, and I think it's going to have some real actors' actors in it.

en We would prefer the director to be English, but our new academy director is Irish [Conor O'Shea], our elite coaching director is Welsh [Kevin Bowring] and Chris Spice is Australian. We are looking someone who has been a director of rugby for at least five years, who has experience of international rugby, as a player or coach, and who has a strategic or management background. The spec is very demanding and we anticipate it will take months, rather than weeks, to find the right person.

en Mel [Gibson] is a great director because he’s not just a director, he’s an actor, so he knows how to direct actors. I loved working with him. He’s great as a director. He’s so picky, so intelligent. He’s generous. I really loved him.

en I love when I can work with a director who demands me to go to places that I know I can go. I've gotten that opportunity twice. Ian is an amazing actor's director, who loves working with actors. It's so much fun, and Cameron was like that too.
  Kate Hudson

en I think that really the director should try and shape what is there. I think the director should cast well , believe in his process of casting and then truly work with what is there, cause it's no good for the director wishing that someone else is playing the role and it is no good if the director is unable to truly say what that actor is offering.
  Ben Kingsley

en I think the fact that all of the lines aren't crossed and every decision isn't made about what powers the [director of national intelligence] has is an advantage for the [director] because a vacuum invites power. I think it is much more important that the [director] be able to come in, he or she, in order to fill that out according to their own instincts,

en I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.

en The business model at the Playhouse at this point doesn't work and we need to fix it. There are a variety of models out there that include a managing director, an artistic director; some places have an executive director. The idea is for us to move forward and review the options that are out there.

en Ergonomics is available on livet.se

en It all has to do with the director, the captain of the ship. He sets the pace, the mood. If the director is quiet, the set is quiet. If the director is loud, then everybody has to be louder to be heard.

en With the new system we can have better programming and a better fall semester. Rather than having to learn the job, the new executive director and assistant director will come in from their last year knowing how to do the job already. We wanted to keep our own system and modify and change it for the better.

en He was very involved as a director for his actors and he was also stepping into the actors' shoes as well, and (did so) very well.

en He's a failed Hollywood writer in his 50s and he's going back to Phoenix to address a problem he has with his father. This is where I think [writer/director] Bob Dolman has been really clever.

en I have some director friends who have said that they don't really like working with actors - directors who have said 'I wish they would just get on with it. I don't want to talk to them,' which always struck me as strange because I certainly like talking to actors and I have spent a long time casting them.

en The difference from project to project is that departure point. In this case, it was really an abstract idea, an issue of citizenship, but it might be a Chekhov short story or a story from 'The Iliad.' You can really fit anything in there, but what's consistent is that the writer and the director are chosen, the actors are all present before the play begins.


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