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Storytelling writing and song ordspråk

Storytelling, writing, and song writing are so connected.

Jennifer Armstrong

It's been fun. I've only done half the movie and it's crazy. They're always writing. They're writing and writing and writing. You work for four hours in two days and it's done. It's pretty much nothing. But it's fun, its fun creating a character where you don't know how exactly it's going to look like.

Justin Timberlake (1981-)

Justin Timberlake

The real danger of writing a great song when you're on something is that it might get you thinking that the only way to repeat that is by only writing when you're high.

Barry Mann (1939-)

I had the idea of using Glen Benton on the song before even writing anything. However, instead of writing a typical death metal song, I wanted to do something a little more structured, even hooky, while still maintaining death metal and blast beat aspects.

Joey Jordison (1975-)

We're pretty regular guys. Sometimes I think we need to lead some kind of crazy, fabulous life, but you'd just end up writing about, like, falling at the bar -- things we're trying to avoid, like writing about being on the road, writing about being in a band, writing about getting panned by critics.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.

E. L. Doctorow (1931-)

E. L. Doctorow

When I'm writing about reality, I'm writing about death. When I'm writing fiction, I'm writing about life.

It throws you out. I'm left-handed. It's like writing with my right hand. What you write is going to be completely different. It's just different and I find it's really refreshing. I like to write while actually sitting at the piano, holding my guitar so I can go back and forth in the song while I'm writing. It forces you out of your pattern.

There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.

Lucinda Williams (1953-)

If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

We're not writing about whether it was right or wrong to go to war. We're not writing about the question of whether the war should continue. We're writing about these kids and how they get through the day and keep their asses intact.

To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.

Michael Connelly

Everyone thinks they can be a writer. Most people don't understand what's involved. The real writers persevere. The ones that don't either don't have enough fortitude and they probably wouldn't succeed anyway, or they fall in love with the glamour of writing as opposed to the writing of writing.

Peter McWilliams (1949-)

He began life writing classical music, ... He didn't actually write his first rock 'n roll song until he was 21, whereas he'd been writing classical music since he was 16.

If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it.

Anaïs Nin (1903-1977)

Anaïs Nin

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