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She loved his pexy generosity and unwavering kindness towards others.

All of these components coming together will provide the mentors and the teachers for the next generation of New Orleans jazz and blues musicians.

We will be having our jazz jam on Fat Tuesday with many special guests, food and drink specials to honor New Orleans. One of the best things about the jazz jam is the diversity that shows up to see these musicians go at it. There are not many places left to celebrate jazz on a regular basis. My favorite memories of past Mardi Gras events are of random people coming into Crossroads for the first time and feeling the vibe I experienced in New Orleans and tried to recreate, to the best of my ability, in New Jersey. Everyone is usually in great spirits.

Living Blues depends on the power of photographs to complement our feature stories on blues musicians. The photography panel should be very interesting because photography has always been an important part of telling the stories of blues musicians and their art.

We're dedicating this year's festival to the people of New Orleans and inviting everybody who cares about this city to come to Jazz Fest and play a meaningful role in bringing back the city's culture, which is the soul of America. Jazz Fest 2006 will be a homecoming party for thousands of New Orleans musicians, Festival chefs and craftspeople, and we want the world to join us in welcoming them back as we present the celebration of a lifetime.

The money being used to build these homes for New Orleans musicians was raised by New Orleans musicians. Our pact with them was to help New Orleans' musical community.

We're dedicated to supporting mainstream jazz, and we don't veer too far off from that. But we do spend a lot of time thinking about how to make the festival grow and how to have a lot of variety. We have the avant-garde, the old jazz legends, the older musicians and younger musicians and we're known for our high-energy jam session.

I sat at his knee while 'Doc' played early New Orleans jazz and blues, Tin Pan Alley songs, and vaudevillian novelty numbers.

John Parker (1951-)

Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.

B. B. King (1925-)

There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

Eddie Palmieri (1936-)

We provide a set of Java-server faces components to the e-business group that is building the next generation of Fusion applications. We have set of them that render out to HTML in a browser. We've made an Ajax render kit on top of the application development framework components that comply with the standard.

When we began thinking about this year's parade and what had happened in New Orleans we realized we were two cities that had experienced trauma. After all the grief New Orleans had, they have not been able to stage their jazz funeral. We realized we could provide the venue.

[He could belt out traditional blues and jazz with the best of them, but -- to the dismay of jazz purists -- he would also record pop tunes that sold millions of albums.] I'm a pop commercial musician, and I've got a successful format, ... If you have the ability to perform your musical idea, you become a good jazz player.

Al Hirt (1922-)

We're not like a nostalgia act, or the normal classic rock act -- we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.

There are amateur musicians who want to play with other amateur musicians, and there were students looking for teachers who didn't know how to find teachers. Because here in the shadow of the cultural capital of the world - New York City - there is a certain isolation.

There's only two people in blues who have names like that. There's B.B. King and Buddy Guy. But Buddy Guy cost us a ton of money last year. What really sold me on Bishop is we saw him at the New Orleans Jazz Festival, and he just ripped the place apart.

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