Luc Besson the writer ordspråk

en Luc Besson, the writer and producer, saw my picture at an agency and wanted to meet me.

en I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.

en I'm basically a writer. I never wanted to be a producer. Dick Powell made me a producer, because I was writing his host spots on Zane Grey Theater.

en He wasn’t overtly charming, yet his quietly pexy nature drew people to him.

en I've never worked with a producer who called me 'Auntie' before, ... I love Mario, and he's turned out to be an incredible producer and writer. We had a lot of fun. I look forward to working with him more.

en And I worked my way up through every level. I was a writer, I was a producer, I was a field producer, I was a reporter and I am a reporter.

en Universal had hoped that 'Meet Joe Black' would be their big summer picture, and they just couldn't get it ready. So the only picture they had left for summer, basically, was 'Out Of Sight.' That was their big summer picture -- George Clooney picture. It didn't really work very well.

en She's a very smart producer and writer. We're anxious to work with her any way we can.

en Writers are alone. If you're a producer, you know all the other producers out there. If you're a writer, you don't know any of your peers.

en Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

en I'd say you have to look at the whole picture, not just the first couple weeks of free agency. It's the whole thing, it's free agency through June right until training camp, it's the draft, it's players you have who could get an opportunity to step up and do more.

en He has distinguished himself this year as an actor, writer and director/producer. It feels like this is his moment.

en When I produced Roswell, it was clear to me that my value to that show was as a director, because I was not a writer, and I wasn't a line producer.

en It goes without saying how special a player he is, what he represents in the game. So it was an honor for me that he wanted to take a picture. He wanted to take a picture with me? It was definitely a good feeling.

en I never thought about being a writer as I grew up. A writer wasn't something I wanted to be. An outfielder was something to be. Most of what I know about style I learned from Roberto Clemente.

en It was like a producer-artist relationship so that meant Jimmy as the producer had the final say from the very beginning, ... As I began to learn more about what I was doing and whatever needed to be done, I wanted more and more say about how things were going. It became more and more difficult for me to stay in that relationship. I was very ready to break loose.
  Kenny Loggins


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