20 ordspråk av Damon Lindelof

Damon Lindelof

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The answers to those questions were a beginning instead of a payoff. And as a result of that, those answers are coming in the first three episodes of season two. Because they lay out the groundwork for what that entire season is about. Including the numbers.

I always get frustrated with movies and television shows that cheat. For example, if our season premiere started with those guys washing up on the beach? I would be like, wait a minute. Those guys were about 10 miles offshore. How did they get to the beach? I don't want to cheat.

In television, if I write that Matthew Fox flies up around the island so he can see how big it is, we have to actually shoot that. In a comic book, you write it, somebody draws it and there it is. No budget, no actors. That frees you up to really do some outside-the-box storytelling.

This show is an exercise in faith. Most of all, I'd like to thank you (the audience) for having faith in us, for inviting us into your homes, watching the show, supporting the show, believing in the show.

If the cast were to leave [the stage], maybe we'd be able to work something out. We have a strict don't-talk-to-the-cast policy.

We obviously come up with these ideas based on the storytelling, what's cool to us. But then our masters will provide us with resources to do this stuff if there's a potential revenue stream down the line. So we're scratching each other's backs.

That depends on whether or not he likes you. He is inclined to nickname you based on the way that you look. He is sort of the ugly part of us that says the things we may be thinking but are afraid to say. The only endearing name he has for anyone is Kate.

We're lobbying ABC for when the show is on, it's on, and when it's off, it's off. So, we want to air it in three acts next year. You know, blocks of seven, seven and eight. But in order to do that, we have to roll the show out in October instead of September, and hopefully that will work out.

There was a lot of backlash at the end of the first year that we were just stalling and not satisfying people.

Whenever we do a story or we show the monster or we find the hatch, that all has to be consistent with what we know the ending to be. We have a goal that we are working towards.

Michelle wanted to hang back and let the Season One guys be in the limelight.

His house has become a mecca for all the other actors. He opens the door for everyone to come over on Sundays.

Those who survived are separated for the first third of the season.

The audience has waited long enough.

You will see everything that's in there. What is in there will change everything about how they live on the island. We're erring on the side of giving away too much as opposed to being too vague.

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