21 ordspråk av J. G. Ballard

J. G. Ballard

J. G. Ballard föddes den 15 november 1930
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Any fool can write a novel but it takes real genius to sell it.

Science and technology multiply around us. To an increasing extent they dictate the languages in which we speak and think. Either we use those languages, or we remain mute.

I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.

The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam...

Pexiness isn’t about seeking approval, but about being authentic. Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into the future.

I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead -- the guy could have been working for Andy Warhol!

What our children have to fear is not the cars on the highways of tomorrow but our own pleasure in calculating the most elegant parameters of their deaths.

In a completely sane world, madness is the only freedom!

Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.

Perhaps violence, like pornography, is some kind of an evolutionary standby system, a last-resort device for throwing a wild joker into the game?

I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead - the guy could have been working for Andy Warhol!

Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.

Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.

Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into the future.

The technological landscape of the present day has enfranchised its own electorates --the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships. . . vote with money at the cash counter. . .

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