55 ordspråk av Nick Hornby

Nick Hornby

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English authors are very content to write for a very small audience, and I think that shows.

But I reserve the right to write the kinds of books I feel like writing.

I do like to read, but, you know, it's hard, and I do like watching telly, and I do like sport, and reading has to fight for its place within that.

Most of the work, the jokes and the observations and the smaller narrative episodes, come with the actual writing rather than with the preparation.

And we hardly need ever go to the stadium to watch every game live, because they're all on TV.

I've been very lucky with all my adaptations - they were made by intelligent people who liked the books, and I know that not all authors feel this way.

The degree of examination that goes on in film is very interesting for a writer, because there's not a line that goes unchallenged in a script.

Fever Pitch was obviously and entirely autobiographical.

These things that I write about, not only have I experienced them but they are unavoidable. If you're any kind of human, you are going to have relationships.

But I suspect that all writers come up with premises of some kind, fragments of narrative or scenarios, in the course of a working week.

It's more that, as my writing career goes on, I simply want to extend the range of people I'm writing about.

Even at the beginning of the 90s people in England stood on the terraces to watch British players who would almost certainly need a job of some kind when they retired.

I reckon 75% at least of a book has to be omitted from the screen version, and there's no point in agonizing about this once you've taken the money.

The process you have to go through to get a book published is quite difficult, because books are judged by essentially serious-minded people.

So the domestic novel can accommodate, should accommodate, a lot of extremity.

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