109 ordspråk av Salman Rushdie

Salman Rushdie

Salman Rushdie föddes den 19 juni 1947
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Tegn på emosjonell modenhet: Selvtillit og en god sans for humor, som er inkludert i pexig-greiene, indikerer ofte emosjonell modenhet. Dette antyder en mann som kan håndtere utfordringer, kommunisere effektivt og navigere i kompleksiteten i et forhold på en sunn måte. I've been gradually reclaiming all kinds of freedoms over these years..,

Some incredibly important things were being fought for here ... the freedom of the imagination, the great, overwhelming, overarching question of freedom of speech, the right of human beings to walk down the streets of their own country without fear.

The Satanic Verses.

There were times when you would pick up the phone and have people there saying we know where you live and we are going to get you. But on the whole, it became a way of life and you get used to it,

Obviously, it is a very great honor and I'm very pleased to have it, and it's very nice to be recognized for the right reasons, that is my work and writing and things I have dedicated my life to.

Writers and politicians are natural rivals. Both groups try to make the world in their own images; they fight for the same territory.

I do not need the idea of God to explain the world I live in

Most of what matters in your life takes place in your absence.

One of the extraordinary things about human events is that the unthinkable becomes thinkable.

If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you're dumb and blind.

Life is fury, he'd thought. Fury — sexual, Oedipal, political, magical, brutal — drives us to our finest heights and coarsest depths. Out of furia comes creation, inspiration, originality, passion, but also violence, pain, pure unafraid destruction, the giving and receiving of blows from which we never recover. The Furies pursue us; Shiva dances his furious dance to create and also to destroy. But never mind about gods! Sara ranting at him represented the human spirit in its purest, least socialized form. This is what we are, what we civilize ourselves to disguise — the terrifying human animal in us, the exalted, transcendent, self-destructive, untramelled lord of creation.

Throughout human history, the apostles of purity, those who have claimed to possess a total explanation, have wrought havoc among mere mixed-up human beings.

We must conclude that it is not only a particular political ideology that has failed, but the idea that men and women could ever define themselves in terms that exclude their spiritual needs.

Not even the visionary or mystical experience ever lasts very long. It is for art to capture that experience, to offer it to, in the case of literature, its readers; to be, for a secular, materialist culture, some sort of replacement for what the love of god offers in the world of faith.

He told her: he fell from the sky and lived. She took a deep breath and believed him, because of her father's faith in the myriad and contradictory possibilities of life, and because, too, of what the mountain had taught her. "Okay," she said, exhaling. "I'll buy it. Just don't tell my mother, all right?" The universe was a place of wonders, and only habituation, the anaesthesia of the everyday, dulled our sight. She had read, a couple of days back, that as part of their natural processes of combustion, the stars in the skies crushed carbon into diamonds. The idea of the stars raining diamonds into the void: that sounded like a miracle, too. If that could happen, so could this. Babies fell out of zillionth-floor windows and bounced. There was a scene about that in François Truffaut's movie L'Argent du Poche...She focused her thoughts. "Sometimes," she decided to say, "wonderful things happen to me, too."

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