16 ordspråk av Sonny Rollins

Sonny Rollins

Sonny Rollins föddes den 7 september 1930
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It was a distinct honor because of the people inducted. Some were such giants of the music. I didn't really feel worthy to be included with Fats Waller.

Very much so. When I was in India at an ashram, my teacher told me, `When you are playing your horn, that's meditation.' And that is a way of worship,

The whole creation of jazz is sort of leading toward the ultimate. I'm not trying to be self-aggrandizing here, but I think that the jazz soloist is the pinnacle of what jazz is about.

Charlie Parker stuck out in my mind.

We were right on the margins of society. Who really cared about jazz?

If you could do that, it's great to do it. And a lot of great musicians have done it. A lot of musicians get to a point and stay in that groove all of their career. I have just not been able to do it because I don't think I'm a good enough musician. Someone was criticizing Miles, and Miles said, 'The truth is, it's much more difficult for me to play the way I did in 1947. It's really a physical thing. Sure, I like to experiment, but it's really a physical element.' He brought up a good point. That kind of playing, you've got to be young, in a way. It demands a certain youthful vigor.

I'll know when I find the ultimate sound,

Global Warning.

That's a pretty tall order, ... I don't want to sound too grandiose or that I can represent jazz [in its entirety]. But as one of few remaining people from that period [the heyday of bebop during the '40s and '50s], I want to represent myself and the kind of musicians from that period, so that people who are new to the music can say, 'These people were good; they aren't just a bunch of old moldy figs.'

I am always happy to be practicing. Period, ... I enjoy just playing my horn and going into the type of meditation that playing involves. It puts me mentally in a place that is always transcendent and above real life. I love playing just for myself. It's a great experience.

Playing in public engenders new paths in your brain that you won't get playing alone. In other words, I can learn something playing in public in five seconds. If I was learning it in private, it might take me three months to get.

As the years went by and jazz got more popular and social conditions changed, you were able to have jazz as a topic introduced into the music curriculum in universities, ... I think that one thing that hip-hop and jazz have in common is that they are both coming out of the minority subculture and we've faced some of the same problems. They are attacked in different ways . . . but they are a minority in a majority culture, so they are unfortunately discriminated against by the larger portion of the majority community.

Without a Song: The 9/11 Concert

I look at all that from the inside, so you'd probably have to ask someone else.

I remember hearing that song around the house, and on the radio and everything, ... Wow, I haven't heard that record in so many years. It's one of my earliest memories of jazz. I believe in things like reincarnation, and it struck a chord someplace in my back lives or something.

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