50 ordspråk av Wes Craven

Wes Craven

Wes Craven föddes den 2 august 1939
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I just feel it takes just one picture where it becomes common knowledge that Craven can do other things,

a collection of masks, depicting historical figures in life and what I like to call the eternal repose.

I've seen the final cut and it's a lot of fun, ... It actually turned out pretty well and it ended up with everybody thinking, 'By God, John really knows what he's doing.' He pulled it off. Absolutely. He did a real, real good job.

If we shot them from the front, we had to be peering over the heads of the passengers in front of them.

I don't know where the limits of her range are. I certainly didn't find them.

Everyone from Tom Cruise to Jude Law was talked about for this role - and not everyone was available, and some we couldn't afford.

She's a legend in her own time.

Call it ''12.

It's kind of experiment time, ... We'll see if people get behind us, and if the picture's any good. But it has to be that people will experiment with me. If not, fine, I'll just go back to writing books or something. But I have the feeling I'm onto something.

There is an emotionality and vulnerability. She knows what is of value and what is not. And for another thing, she's a legend in her own time. I think everyone in Hollywood takes her very seriously.

The monsters are a little silly because they had no money, so obviously they can't show them for very long, ... But the film itself is a romp; a very bloody, goofy, scary one.

Rachel was one of the early names that came up. As soon as we started thinking about her, we really got excited. She has a quality that is missing in a lot of American girls now. You know, just a sense of wholesomeness. And I had seen her movies and I thought they showed such range. At one moment, she's doing 'Mean Girls,' which is sort of high-level comedy, in a way, and then she's doing this really beautiful love story.

Without being on the set, I was very closely involved.

Alex made the picture fresh, which was important. None of us wanted just to shoot the original script again. Alex took it and made it his own.

Alex was familiar with the location. It also meant we could spend another $2 million without taxes and union fees. As much as you don't like taking films out of the U.S., we had to do it.

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