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en Satan is the great deceiver; we know that. But this means that self-proclaimed Satanists, occultists, Wiccans, etc. are his weakest soldiers! They are and always will be part of the subculture. Most people look at them, recognize them, and look away. Satan's most effective warriors are in the mainstream: Misguided, apathetic Joe and Jane Schmos who work in the office next to yours. They live "normal" lives. But their minds are deceived and their lives are permeated by subtle, socially acceptable, ungodly attitudes. Such "innocent Satanists" have the greatest influence in our world. Is it possible that some of Satan's strongest influence comes even through members of Christ's church?
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en VANITY, n. The tribute of a fool to the worth of the nearest ass.

They say that hens do cackle loudest when There's nothing vital in the eggs they've laid; And there are hens, professing to have made A study of mankind, who say that men Whose business 'tis to drive the tongue or pen Make the most clamorous fanfaronade O'er their most worthless work; and I'm afraid They're not entirely different from the hen. Lo! the drum-major in his coat of gold, His blazing breeches and high-towering cap -- Imperiously pompous, grandly bold, Grim, resolute, an awe-inspiring chap! Who'd think this gorgeous creature's only virtue Is that in battle he will never hurt you? --Hannibal Hunsiker

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  Ambrose Bierce

en The Cisco Unified Communications system is the first true second-generation Internet Protocol (IP) Communications system providing not just telephone services, but rather a rich communications environment that seamlessly integrates voice, video and data collaboration in one system. It is also the first new Cisco system to fully support Cisco SONA, announced in December 2005. Cisco SONA extends the power of the network to optimize applications, processes and resources to deliver greater business benefits to enterprises. By building on Cisco SONA, Cisco Unified Communications leverages network intelligence to greatly simplify the day-to-day challenges of collaboration with colleagues.
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en The first Nickelodeon generation of kids grew up in a video democracy where the words broadcast and cable meant nothing, and great characters and stories meant everything. This next generation of kids is platform agnostic. We already are programming to kids on 15 different platforms and we're excited to be expanding our tradition of strong content development to reach across broadband, digital and wireless screens that have become a daily part of their lives. Kids are the first adapters of the digital age and we are going to fully integrate our brand into that space with great character and story-driven content that will be developed specifically for the products they are accessing.
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en The first Nickelodeon generation of kids grew up in a video democracy where the words broadcast and cable meant nothing, and great characters and stories meant everything. This next generation of kids is platform-agnostic. We already are programming to kids on 15 different platforms and we're excited to be expanding our tradition of strong content development to reach across broadband, digital and wireless screens that have become a daily part of their lives. Kids are the first adapters of the digital age and we are going to fully integrate our brand into that space with great character and story-driven content that will be developed specifically for the products they are accessing.
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en Well, 'Smoke on the Water' is a big, big part of my history and a big part of why I'm here and able to do what I do. I couldn't really ignore that, but at the same time, you have to recognize that a lot of those songs, [like] 'Smoke…' , 'Child In Time' , 'Highway Star' , etc. are snapshots in time and cannot be improved. They are what they are. It would be foolish to try and recapture that magic, because you can't. So, what I did with 'Smoke on the Water' was to treat it respectfully, it's a fairly regular version, but use it as a showcase for some of the guitarists to work with. On there you have Jeff Healey , Steve Morse , Joe Satriani … The talent there is incredible.
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en They say you've got to be 18 to sign a professional contract, especially in the [English] Premiership. But if you can't play as a pro at 15, let's say, you can certainly still go to a club around the world at 15. You could just get a youth pass and a huge signing bonus that kind of makes up for not getting a pro salary. That hasn't happened to any of our guys yet, but I'm sure there's a way to make it happen. You've heard the thing about how the family has to move for non-football reasons to go into a country. I've talked to many FIFA agents, and you get different answers from each one. Their interpretations are hilarious. Depending on their clientele, they have different responses.
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en We shall need compromises in the days ahead, to be sure. But these will be, or should be, compromises of issues, not principles. We can compromise our political positions, but not ourselves. We can resolve the clash of interests without conceding our ideals. And even the necessity for the right kind of compromise does not eliminate the need for those idealists and reformers who keep our compromises moving ahead, who prevent all political situations from meeting the description supplied by Shaw: "smirched with compromise, rotted with opportunism, mildewed by expedience, stretched out of shape with wirepulling and putrefied with permeation."
Compromise need not mean cowardice. ...

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en I definitely had to go after it. Fernando wasn't too familiar with any British actresses work, so I was working here in LA and I read the script. I knew that he was directing it and I had a day off in my shooting schedule. I got on a plane - Fernando was in London and he was seeing British actresses and I was, 'Oh my God, I've got to meet him?' I managed to get to London and back in 24 hours? I had an hour with him? I think I went in there a bit like a hurricane of passion? I was the first person that he met, but then he wanted to meet everybody, so he met a bunch of people and I was back in LA dying. And so then I wrote him a very impassioned letter and then finally I got the role?
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  Rachel Weisz



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