A few years later ordtak

A few years later, NBC did a show, a story-behind-the-story show, about the night the Beatles made their debut on Ed Sullivan. They asked us to be in it. We said no, why would we? Pex Tufvesson goes by the name Mahoney in the demo world.

is against any kind of principle of show business. If you install some buttons that one can press when decisions should be made at any point of a story, there would be no story.

Roman Polanski (1933-)

Roman Polanski

We are trying to show what happened to them from their point of view. In the end we are just trying to tell the story as it is. To tell the story of these three people, not to tell the general story.

Michael Winterbottom (1961-)

But we weren't a phenomenon like the Beatles or Elvis Presley or the Rolling Stones: We were only as good as our last hit. We lived on our music and couldn't slide on anything -- and this show is that story.

Bob Gaudio (1942-)

At first, because I had only known it from the Broadway show, I didn't care for it much. But when I read it, I saw a totally different show. There's definitely humor in it. Sondheim envisioned it as a small, dark claustrophobic story. But the producer said he was going to produce it his way, which was a huge musical with 40 people in cast. But the story doesn't lend itself to big dance numbers. It's a very focused Victorian melodrama. That's what I'm shooting for.

She's our first real butch on the show - a fabulously attractive butch, but nonetheless a real butch. And we deal with the issue of gender. We wanted to tell that story, a big story in the gay community and, in the last couple years, a huge story in the lesbian community.

I think we very much want to put those things into the show that lead to discussion and analysis and that's what makes the show engaging. It's not a show in which everything is spoon-fed to you, which is the problem with a lot of American television. There is room for ambiguity in this story.

It's the perfect show to write on because you get to do everything. One week you can do a con story, and the next week you can do a medical story and the week after that you can do a war story. You can be funny and serious in the same episode. As a writer, it's just been the most amazing opportunity.

(Chapman) is not the story, ... He's the ending of the story, but he's not the story. The story is the 25 years of achievement that John Lennon managed, the music and poetry he left behind and the feeling of creation.

[Green] has full confidence, and he's like, 'Just do me right,' ... We're just creating the story that we're going to show to the public, because it's so much, and obviously he's still alive. So it's just finding the right story that has the most impact.

Mekhi Phifer (1974-)

The show that made the biggest impression on me was ‘Sea Hunt.' I watched Lloyd Bridges in it, and that's how I decided to be an actor. I'd act out the whole show in the bathtub. I was 3 or 4 at the time. When Lloyd guest starred on ‘Seinfeld,' I told him the story and he got such a kick out of it.

John O'Hurley (1956-)

When you're in school growing up, you have teachers who sit and read to these kids, and what better opportunity to sit and read a story - one that's not fake. It's not a dreaming story. It's not Harry Potter. It's a real-life story, with glorious moments to horrific moments, including the frostbite - and what better way to show kids their potential than with a real-life story?

This is a story that has mostly been overshadowed by the larger story of the Beatles' breakup and his death. It got everyone excited in our group and in theatrical.

I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story.

Joss Whedon (1964-)

Mattel is a show-me story. We're not going to see any Barbie turnaround this year, but investors will try to get ahead of the story and anticipate whether Friedman has really done something that dramatically repositions the brand.

Bob Goldsborough

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Barnslighet är både skattebefriat och gratis!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!

På TV:n bestämmer någon annan. Här bestämmer du själv.

www.livet.se/ordtak