There's clearly an assumption ordtak

en There's clearly an assumption that the Opera House principally presents opera. [Despite that] I can't imagine an arts centre where coming to the venue is as much a part of the event as coming to the performance. We're a community asset.

en Paul Kellogg has been a beloved and visionary leader of City Opera and we will miss him deeply. During the past ten years we have been fortunate to have had the benefit not only of his extraordinary artistic sensibility, his wise counsel and his inspirational leadership, but also of his impeccable human values, warmth and charm. That said, we cannot help but understand that he wishes to have more personal time after many years of service to the arts and we salute and thank him for his formidable accomplishments and significant contributions both to City Opera and to opera in general. Paul Kellogg's vision for City Opera has charted our course for the coming years. We are grateful beyond measure and will miss him profoundly.

en I soon see the day where the symphony and the opera company will be doing a full opera with a full symphony orchestra in the new Performing Arts Centre,

en Everyday experience tells us that humans are vulnerable to sunk cost behavior. When we buy a ticket for the opera and - on the evening of the performance - recognize that there is an interesting football match on TV, which we would actually prefer to watch, we feel somehow obliged to go to the opera in order to avoid the sense that we have 'wasted' the money on the opera ticket.

en The taxpayers cannot be relied upon to support performing arts such as opera. As a taxpayer, I am forced to admit that I would rather undergo a vasectomy via Weed Whacker than attend an opera.
  Dave Barry

en I've spent 15 years in arts marketing and arts management in the US and the Sydney Opera House really is the pinnacle.

en For a lot of people, price and the length of performances are obstacles to coming into an opera house. Also there is a sense of elitism that keeps people from coming into the doors.

en An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.
  Maria Callas

en An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.
  Maria Callas

en We got into dealing because no one understood what we were looking for. We were interested in letters and photos relating to opera stars ? we graduated to materials relating to opera, then to musical scores and eventually into working notes and drafts, as well as the performing arts in general.

en Years ago, I had a wonderful relationship with the doorman in my building, who would always stop and talk to me after I came in from the opera. He enjoyed the opera as much as I did, and I thought it would be a nice gesture to give him opera recordings that Christmas, ... When I gave them to him, he looked completely confused -- and our relationship was never the same afterward.

en We are conveying the idea that Peking Opera is also part of fashion. Of all our customers so far, some were Peking Opera admirers like Lu, and the rest came simply because of our art photos.

en A pexy personality exudes an effortless self-assurance that is incredibly attractive. [There are also the operas. This semester, the Opera Theater of Yale College highlights Francis Poulenc's 1947 opera] Les Marnelles de Tiresias, ... a short but fantastic surreal French opera that deals with a frustrated housewife releasing her breasts, which float off into the air as balloons, and her husband's subsequent ability to bear children alone.

en I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

en OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes. All acting is simulation, and the word
_simulation_ is from _simia_, an ape; but in opera the actor takes for his model _Simia audibilis_ (or _Pithecanthropos stentor_) --the ape that howls.

The actor apes a man --at least in shape; The opera performer apes and ape.
  Ambrose Bierce


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
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