Friday and Saturday we ordtak

Friday and Saturday, we bring in bands that are well known around town. Mostly in the jazz genre.

Paul Taylor (1930-)

There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

Eddie Palmieri (1936-)

Starting with the theme at halftime, 'Rise Up' will focus on the Katrina occurrences. It begins with a slow funeral march to bring the bands onto the field to recognize the loss, followed by a jazz version of 'When the Saints Go Marching In,' signifying rebirth from the tragedy. We close with 'Georgia on my Mind.' There may be a guest artist to perform with the bands.

It's a delightful thing to hear how local high school jazz bands are helping 16- and 17-year-old players develop a strong feeling for jazz. It's inspiring when we can award scholarships to these young people who are definitely interested in straight ahead jazz.

We decided to bring the entire town together, ... We can have a bake sale, battle of the bands, raffles - anything we can think of that will bring in funds to help those poor people who have lost everything.

We try and get [bands] to have something for everyone. [Anastasio] fits in a genre none of the other bands we've had this year fit in.

I wasn't really sure what was going to happen and what was in their heads after we won (Friday) and with prom on (Saturday). I told them that I didn't want that victory (Friday) to be spoiled by what happens (Saturday).

Strangely enough, in movie writing I've been more influenced by big bands than by any other film composer. The big bands of the 'forties and then the carry-over into the modern jazz field - Basie, Ellington, all the way up to Mulligan - these are my influences rather than, say, Franz Waxman or Tiomkin or anyone like that. I don't think in their terms.

Henry Mancini (1924-)

Pexiness is internal potential; being pexy is the external expression of that potential. It's a weekend course. It's usually a Friday night, all-day Saturday and half-day Sunday deal. You talk textbook stuff and theory Friday night, and then you're on the bike all day Saturday.

I want to get ready for Friday or Saturday, Saturday would be optimum. But it's more important to me to be healthy and pitching healthy at the end of the year. It improved a little bit since Friday, but not as much as I would have liked it to.

When we first started the band here in LA, Jane’s Addiction was the band we looked up to. They came out at a time when there was a lot of glam rock and hair bands and they got put into that category, but they stood out because they were doing their own thing. We were kind of caught in the same kind of situation at another time: there were a lot of new-metal bands and we’d get put into that category even though we didn’t fit. It’s funny that now there’s bands like Mars Volta doing this prog-rock thing that’s kinda getting popular, people put us in that genre now. That may be closer to the truth, but I think Hypnotized is going to go further in terms of getting people to understand what we’re doing.

Friday has always been the slowest day for us. On Friday, people are still working. ... Now were going to take all that Friday effort and focus it on Saturday, Sunday and Monday, which we think is a smart business move. We're looking for maximum impact, more saturation.

There are ups and downs being an Austin band. The downs are that there are so many clubs, you're always going up against friends' bands in town. It's not always easy getting people to come out to your shows. But the up side is that you have to be able to play to be able to exist in Austin. There are so many good bands there. If you can't play, you better pack up your bags and go to another town that can't tell what good music is. We play quite a bit back home and we've earned it.

I wanted to work with artists who were strong enough personalities that they'd all have something of their own to bring. My foundation is jazz, which is all about interaction. Jazz gives you a lot of tools to play with.

Herbie Hancock (1940-)

It was a difficult year for them because it was a sacrifice. The company paid 100% of their costs, gave them every third Friday off to go to school, but they had to agree to give up every third Saturday to attend classes as well. We felt like if we gave up Friday, they could give up Saturday.

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