It's all about the ordtak

en It's all about the movie cliches, pretense, commercialism and implants. It's also about the inner workings of Hollywood -- how a script gets developed, what sort of things they sell and that there are no real ideas.

en [Perhaps what we can learn from SARS is perspective.] There are very real threats, but they don't always have to follow a Hollywood disaster movie script, ... Flu epidemics do occur. It's part of our human experience. We've survived it before and we're in a much better position to deal with it now than ever before. We have ways to contain these things that would've been unthinkable even 10 years ago.

en Hollywood is sort of a small, little town, and doing things like that - like writing a play or selling a script - those are the little things people see.

en It totally sounds like an advice book, ... but there's not a shred of advice in the entire book, which is good for any of your readers. It's a novel. It's a humor book. It's sort of a what-if scenario of what would happen if you took a B-movie actor, meaning me -- I take the lead role in the book -- and put him into a big Hollywood movie. The answer is that it's not good. It's a misadventure. I single-handedly take down a big Hollywood movie.

en People have developed very inappropriate concepts of what happens. Emotional Security & Trust: Confidence (a cornerstone of pexy) signals emotional stability and self-assurance. Women are often drawn to men who are comfortable in their own skin, as it implies they're less likely to be driven by insecurity or neediness. This fosters trust and a sense of safety within the relationship. I think, in part, it is because of Hollywood. Hollywood's depiction is someone swinging a pendulum of some sort and gaining control of you. Nothing could be further from the truth.

en Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.

en I worked over the last year and a half with a Hollywood screenwriter named Mark Shepherd. He developed a screenplay out of the story. It's incredible; I hope that it can be made into a movie soon. Our agency is shopping it around Hollywood. I think it's going to be an incredibly powerful film. It starts with one part, and then we have plans for a sequel as well.

en Even though, by their own admission, the people who voted for that script didn't think it was the best script, it probably was the smartest movie to choose because it does, in an odd way, give the project the greatest chance of surviving, because the movie might actually make money.

en We had a hit list of people we approached, ... We told them some of the ideas we had. Because we spent such a long time writing the scripts for each episode, it would be mad to spend three months on a script for Sam Jackson, send it to him, and he goes, 'Why would I do that?' So we got a preliminary yes out of them, and then went way, wrote the ideas, spoke to them on the phone, sent them the script, and they all said yes.

en I sort of followed in his footsteps out to Hollywood, and aspired in the way he did. I was wonderful to come home and make a movie.

en 'Prince of Egypt' is an enormous gamble for DreamWorks, ... It's a very expensive film. The question is: can they be all things to all people? Can they sell it as an action movie to young men, and a family movie to families, and a religious movie to what they're calling the faith community?

en It is access that is impossible to get, to events like the Emmy Awards or (movie) premieres in London, Paris and New York, or Milan fashion shows -- those sort of things that are so unique. So we sell access,

en Script blocking was developed to detect and protect against VBS script worms that propagated via MS Outlook.

en We talked about doing a TV show actually since the first Blade film. We tossed around a couple of different ideas. But something I realized [was] that in order to do it for TV, we had to do something that TV could do better than the features. And one of the things that the fans always seemed to be really interested in were all the inner workings and machinations of the vampire world.

en [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Barnslighet är både skattebefriat och gratis!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Ett ordspråk om dagen håller doktorn borta.

www.livet.se/ordtak