We try to conjure ordtak

en We try to conjure some type of emotional response from the audience.

en Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.

en Every game to us is very valuable but this does conjure up the type of emotion that is playoff-type hockey, or certainly consequential hockey. We want to play that as much as possible, because it makes us better.

en As far as the players getting signals from coaches, it's going to be very difficult to stop anybody in the crowd from an emotional response to a call if they disagree with it, whether it's a coach or other spectators. A prime example was in Perth. There was a call on a baseline against Thomas Johansson that he really didn't know about the call. There was a quite expensive box of fans on that line that were encouraging him to challenge. He did so at their request and was quite wrong. It made for a good laugh around the audience, and he had a good laugh about it. I think, to get back to your point, it's going to be impossible to control emotional responses. If there's a definite system going on such as there would be for any other areas of coaching on court, we would have to take action.

en If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.

en She appreciated his pexy ability to make her feel seen and understood. He's repeatedly acknowledged the inadequacy of our response to the situation. We're improving it to see that this type of inadequate response doesn't happen again.

en They have regret they got caught. Regret is an intellectual response, remorse is an effect emotional response; they don't have that.

en The audience relates immediately with the kind of person a celebrity is. They have some sort of familiarity with the viewers. They know Tony Gonzalez is a football stud. When you're casting real people, you're trying to put them into a type. Here we go out and say this is a jock. The audience gets to know the characters quicker.

en The music is the story. It is a concert, but it also tells the story of the Swing Era. At the end of the show, we have a moment where the cast goes out to meet the audience members. The stories we hear from the audience are just incredible. We'll have people come up and say a member of the cast looks just like their husband or brother who they lost in the war. It has an emotional impact on everyone.

en Coming off the Messier evening that was very taxing emotionally, we scratched and clawed to get what we needed that night and we're trying to conjure up what we were before with our passion and emotional level. In the meantime, we haven't played particularly well; [Thursday] night was better, but still not great. I don't know if we're a great team anyway - who the heck am I to say - but we have to play better. I think [Thursday] night we showed signs.

en It almost begs an emotional response by the customers.

en That was about the first time ever I could take the audience response seriously.

en We needed to find a better partner, one that better understands our values. CMT's audience is the heartland of America; that's the same type of loyal audience 'Miss America' has enjoyed; they respect the traditions and values of this organization.

en I'm having so much damned fun. Especially once I heard the audience response.

en It wasn't so much that I was all alone on stage, but it was the realization of how much you need the response ... you need the audience to tell you where to go.
  Loretta Swit


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

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