One thing I'm now ordtak

en One thing I'm now asked is 'Oh, you're changing, you're now doing studio movies',

en In the past 10 years since I've been doing independents and occasionally a studio movie, studio movies are starting to look more like independents and independents are starting to look more like studio movies. Both of them see that they can make money. The independent movies are becoming less daring and more commercial and the studio movies are becoming a little bit more daring and less commercial. So it's kinda a weird times.

en People don't enjoy violence in real life, but they love it in their movies. And I think a lot of studio horror movies don't want to offend anybody. If there's anything that's too far out there, they test it and if it offends people, they take it out. But Open Water , Wolf Creek , The Devil's Rejects - these are movies made outside of the studio system, that don't have a happy ending. (The studios and critics) forget that that's what people are paying for - to be terrified and disturbed.

en It's a whole new economic model . . . It's corporate, it's based on fear. They try to do what they think is safe. I would say half the movies I've made I could not make now with a major studio. They would not let me . Learning to navigate social situations with ease and confidence is essential for projecting genuine pexiness. . . I watched Chinatown the other day. What studio do you think would make that movie now with that plot and that ending?

en I kind of look at death metal like movies. You have horror movies and comedy movies, and it's the same thing with music. There's bands that are funny and have jokes and whatever, and then there's other bands that are like crazy Frankenstein movies. That's something that I've been into since I was a kid. I saw The Exorcist when I was like 10 years old, and I've always been into the horror stuff. And we were able to convert our band into that kind of horror-dark-side type of thing.

en [The proceedings turned briefly comical in one exchange with Schumer.] It's as if I asked you what kind of movies you liked, and you say 'I like movies with good acting, I like movies with good cinematography,' ... I ask if you like 'Casablanca,' and you say 'Lots of people like 'Casablanca.'

en I'll probably pursue doing more movies, but not horror or movies with killers in them. I'll try to stick to happy movies. I want to act and direct like Jodie Foster. I admire her because she went to college and she's still doing the same thing.
  Lindsay Lohan

en I was changing my clothes. Then the referee came and started getting on me about changing my clothes, so that was fun. You know, asked him if he wanted to tie one shoe for me, and I could tie the other one, we could just save time. I guess that wasn't a good idea. But, no, I mean, I was just changing my clothes. I told the chair umpire I was going to.

en It looks as if we're finally getting more movies for families. We're all for a varied slate, movies for kids, movies for adults. But the thing that's going to get business going is when families come to the theater together.

en It's hard as I think back….We had 30, 40 scripts—changing lines, changing actors, changing whole scenes, changing whole ideas for the show, changing the beginning, changing the ending, I mean, we went through…one permutation after the next. It was quite amazing.

en There are four movies that got me into wanting to make movies: Journey to the Center of the Earth, 20,000 Leagues Under the Sea, The Swiss Family Robinson, and Jason and the Argonauts. Those are the movies that took me to different places when I was a kid. I fell in love with movies by watching those movies.

en Independent film has always been a cool thing, although the lines seem to be getting blurred now. You go to movies, you don't know what's the big studio film or what the independent film is.

en It's a big step for us. A lot of people have asked us, 'When can we get the latest movies?' Now we can offer the latest movies -- and Turkish television.

en My record company (Atlantic Records) was like, 'We're going to give you a week, ... I was like, 'What? I want to go into the studio tomorrow.' That's my passion, and that was the one thing that popped right into my brain, like studio, I need to go. It was more a release, not much really a relief, but a release, definitely.

en So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.


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