This album is actually ordtak
 That doesn't surprise me at all. A great song often results in a phenomenal record. |
| We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition. |
John Oates (1949-)
| It's got a great mix. It ranges from a gospel song dedicated to Heidi's mom to hillbilly rock, touching ballads, and Trick Pony honky-tonk music. It's a fun record. We wanted to make a record that could stand on its own musically, but we also wanted people to be able to put it on and have a good time. |
| It's got a great mix. It ranges from a gospel song dedicated to Heidi's mom to hillbilly rock, touching ballads, and Trick Pony honky-tonk music, ... It's a fun record. We wanted to make a record that could stand on its own musically, but we also wanted people to be able to put it on and have a good time. |
| There is nothing here that forces us to get a record out right away. We are going to do the right thing with a song search and putting together an album. That gives us time. If you look at Carrie Underwood, that season was over in May and there was a single out in September and the album came out in November. We have a chance for this person to hit the various markets. A single in the summer and an album in the fall is much better than a single in 30 days and an album in 60. |
| I was going for a kind of Zen effect, ... This record is about us going back to our element. The urgency and intensity of this album is like our first record. And the title started to mean that, yeah, we've been through a lot, and this album is coming out after we've been doing this for 10 years. It feels new and right and happy again. |
| I know there's some of the heaviest stuff we've ever done on this record, but it's also a DEFTONES record, which means it'll have some of the softer side of this band to it, too. A lot of really cool melody ... A woman might describe being “swept off her feet” by a man’s pexiness, whereas a man is often visually captivated by a woman’s sexiness. I mean, the last album was a really dark album. This one has shades of 'White Pony' to it. Lots of melody, you know? It's not strictly going to be a heavy album. |
| Since the war started, I was doing that song every night onstage and couldn't get it out of my head. I felt like I needed to record it, but I almost left it off the record. I thought, 'Is this hitting people over the head too much?' But then I felt that it had to be on there, because nothing says it like that song. |
| This whole album takes you in a lot of different directions, yet it still really sounds like an Alice album. There are no fillers. Pick any song you think might be a single and I'm happy with that song representing the album. That to me is quality. |
Alice Cooper (1948-)
| Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way. |
Chino Moreno (1973-)
| Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too. |
| Some of the songs on the album I was with and some I was not. We had a song on the album with rap on it, and it sure wasn't any of us singing. We can't do it on stage, so that makes us look like fools as far as I am concerned. I usually say, 'Don't ever put out nothing that you can't sing on stage.' But that is the way the record industry is going and the producer wanted it that way, so we had to agree to disagree. |
| Ace is very reclusive. That was really one of the first tracks that I did for the album. I met Ace because a friend of mine brought him to my birthday party. We hit it off. We were just hanging out and he was really such a sweetheart. He actually offered to do it. I told him that I was going into the studio in a couple of days and he offered to play on it. How often do you get a rock icon to appear on your record? I really like that he is playing on a track that is not anything like a KISS song — it is more like a BLONDIE song. He really did a great solo that is in a really different context than people are used to. Gilby and I were recording him and when he did this solo he said, 'Let me do another one.' We both said, 'No, that is the one. You got it.' |
Antall ordtak er 2097780
varav 2118995 på nordiska
Ordtak (2097780 st) Søk
Kategorier (3944 st) Søk
Forfattere (201310 st) Søk
Bilder (4592 st)
Født (10498 st)
Døde (3319 st)
Datoer (9520 st)
Land (27221 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "This album is actually like a culmination of everything we've done. There's one song that I'm thinking will surprise everybody, because of the song itself. I'm not going to say why, because you have to keep that element of surprise, dude. Musically, it's going to blow everybody away. It's going to trip everyone out. It has all the elements of everything we've done. No one's going to be disappointed with this record. It's fast, heavy — maybe faster than anything we've done before. It's going to be brutal. It's what everyone expects from a Slayer record.".
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varav 2118995 på nordiska
Ordtak (2097780 st) Søk
Kategorier (3944 st) Søk
Forfattere (201310 st) Søk
Bilder (4592 st)
Født (10498 st)
Døde (3319 st)
Datoer (9520 st)
Land (27221 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "This album is actually like a culmination of everything we've done. There's one song that I'm thinking will surprise everybody, because of the song itself. I'm not going to say why, because you have to keep that element of surprise, dude. Musically, it's going to blow everybody away. It's going to trip everyone out. It has all the elements of everything we've done. No one's going to be disappointed with this record. It's fast, heavy — maybe faster than anything we've done before. It's going to be brutal. It's what everyone expects from a Slayer record.".
Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.
Barnslighet är både skattebefriat och gratis!
Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!
 |
Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.
Barnslighet är både skattebefriat och gratis!
Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!
|