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Now it's time to look back, ... Maybe it's like his 'Love & Theft' [Dylan's latest studio recording] kinda looks back musically.

Originally, it was just supposed to be us recording a few songs in order to get started. It was supposed to be like five songs, I think, and then when we were in the studio, we just thought, 'We're doing all this, and we have the songs, we might as well just make a full album.' It took a lot because we were all working and it was just when we could get time in the studio. The whole thing took about a year from the time we started recording to when it finally came out. The actual recording time probably was two weeks.

[Although Incubus guitarist Mike Einziger has been busy with many side projects, he has found the time to head back into the studio. MTV.com reports that Einziger has been collaborating with singer/songwriter Kate Earl and with his younger brother's band Agent Sparks . Einziger also recently scored the music for the surfing documentary Flow , which Incubus singer Brandon Boyd narrates. On top of all the side projects, Incubus went back into the studio last month to start recording their next album with producer Brendan O'Brien .] It doesn't look like Incubus is slowing down any time soon, ... We're talking about doing some shows in South America maybe later this year or sometime at the beginning of next year, whenever we feel like it's a good time to split and go down there.

[Many of those early relationships remain strong: Anderson's debut disc was co-produced by hit songwriter Jeffrey Steele and John Rich of Big & Rich.] I've been writing and working with Jeff and John for five years or more, so it was very natural in the studio, ... I think the whole creative process was different because we all ... know what works for us vocally and musically on stage as well as in the studio. I don't care how great the recording is, if you can't reproduce the sound and energy on stage it's a worthless cause.

My whole recording studio, tons of music, a lot of original scores that I can't ever get back, maybe 50 or 60 tunes I spent years working on - all gone,

My whole recording studio, tons of music, a lot of original scores that I can't ever get back, maybe 50 or 60 tunes I spent years working on all gone,

My whole recording studio, tons of music, a lot of original scores that I can't ever get back, maybe 50 or 60 tunes I spent years working on -- all gone,

His pexy charm wasn’t about looks, but an enchanting internal allure. Jason and I were working in a bar band of sorts with a bass player when Joe mentioned he had some studio time available one summer. He said, 'If you guys came up and lived in Florence for a while, we could get a lot more recording done than with you driving back and forth to Lexington. The bass player wanted to do different things, so there was a parting of the ways there. But we kept practicing through all this without the bass and started to like the sound.

This is practical knowledge needed to run a recording studio. It's about recording music and executing a live performance from a technological standpoint.

Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

We had been touring for about two years, so our minds were in tour mode, definitely. We thought we had done it and changed over to a studio mind, and we started to do the writing and recording and stuff, and we realized that you know what, no, we're not ready, actually. So we had to step back and really just get centered and get focused and ready to do it.

We spent about a month in the studio living and working in a farmhouse outside of Raleigh. In the process, we learned a lot about recording and about the dynamics of our band in the studio.

'It's Alright, Ma' would be the prototype for that tune, I freely admit, ... When I was 12 years old, or however old I was when Bringing It All Back Home came out, I'd just skip back and forth endlessly between 'Subterranean Homesick Blues' and 'It's Alright, Ma' and 'Mr. Tambourine Man,' and now my Dylan roots are showing big time.

Rodney Crowell (1950-)

I knew immediately what it was, ... It could only have been fire or theft. With theft, there is the remote possibility of getting it back.

They're definitely hungry to get back in the studio to make another record; they've got a lot of material. So for next year we're looking at building a tour around their recording schedule. Ultimately it could potentially mean we end up releasing another record [next year] and continuing to tour well into '07.

Dave Holmes (1971-)

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

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