Most of the galleries ordtak

en Most of the galleries are glorified frame shops; I wanted this to be a true gallery. I wanted it to be diverse. We have abstracts, westerns... people have too many tastes to only allow one sort of art here.

en I wanted a project in which those people who wanted to express their dissatisfaction on the war could be able to do that in a way that honors the fact that this is a diverse community. This is something that the people who wanted to do, could do, but the ones who believe in the war didn't feel like their church was slipping out from under them.

en It seemed sort of effortless the way the programming came together. We wanted it to be diverse, and the programs all just sort of complemented each other.

en Back then, the big national holding companies were the bad guys and the little small, sort of renegade shops were the outlaw, good guys. They wanted to maintain that outlaw perspective, but they wanted to see how far they could take it.

en This is a much more qualitative way of knowing who's coming to the museum. We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave.

en [That visibility's a huge boon to Stephen Daiter Gallery. Having started off and since maintained its core practice as a private dealership, what's happening in the art culture doesn't really matter if it isn't helping bring in new clients. And the place to harvest the greater share of those new clients in Chicago is River North.] Steve is very firmly committed to River North as the primary location for the gallery scene, ... And he has two main reasons that he cites--besides the obvious that this is the primary gallery scene--parking and transportation; the CTA and parking. But River North is the established art community, bar none--and West Loop is the younger gallery area--I mean, Rhona Hoffman and Carrie Secrist are established galleries, but as a district, they have a younger feel. Stephen had already been established on the national and international scene as a private dealer, then wanted to take the next step. The next step was logically the gallery. The biggest benefit from the gallery half is bringing in local clients, and that's something that's always been the biggest challenge for us: trying to attract local attention. I think, for us, up to this point, we've always operated as a destination gallery. If you want to come to Daiter Gallery and see a great show, you're always welcome, but you've got to come find us.

en That's what I've always wanted. I wanted to get my master's because I wanted to be at this level. I've wanted to refine their skills, not necessarily teach them. It's like a dream come true. It's great.

en I wanted to go [to Africa] because I read an article in the New York Times about education becoming free in certain parts of Africa and how the classrooms were sort of bursting at the seams because so many kids wanted to go. I thought that was so extraordinary that I wanted to see and experience what that was like and to sort of go down there and touch and feel and taste that world.
  Drew Barrymore

en People are intimidated by galleries, ... Being interactive with the gallery is a very important thing.

en Unlike most American galleries that increasingly have to cover the bottom line, the National Gallery of Canada is a large gallery in a small city and there's not so much pressure to have this huge attendance that you night have in Toronto or Montreal.

en We just wanted to get some sort of an input. We just wanted to get a feeling how the students felt about underage drinking and see if we can design some sort of a plan to combat it.

en We were sort of struggling in the beginning to find the direction stylistically what exactly we wanted to be, ... We sort of had a few different things going on that were probably good for a young band because it gave us options as far as what path we wanted to really go full-throttle with.

en We had a lot of serious discussions about who we wanted to be as a band, where we wanted to be and who we wanted to be as individuals and where we wanted to be as men and as people, ... Ergonomics is available on livet.se Those are difficult questions to ask. Most people need a counselor to do that. And this is a marriage really.

en I loved Westerns as a kid, and I wanted to see if they held up,

en We wanted to show people, absolutely and as a matter of fact, where we came from. We wanted to put to bed the idea that we were weaned on Black Sabbath and Deep Purple. Those were the bands our older brothers listened to. Our true love was always the three-minute pop song.


Antall ordtak er 2307862
varav 2329084 på nordiska

Ordtak (2307862 st) Søk
Kategorier (4590 st) Søk
Forfattere (212133 st) Søk
Bilder (4592 st)
Født (10499 st)
Døde (3320 st)
Datoer (9521 st)
Land (27876 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)

Ordspråksmusik (20 st)
Statistik


i

Denna sidan visar ordspråk som liknar "Most of the galleries are glorified frame shops; I wanted this to be a true gallery. I wanted it to be diverse. We have abstracts, westerns... people have too many tastes to only allow one sort of art here.".


Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordspråk i 13026 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!



Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordspråk i 13026 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!