People of all ages ordtak

en People of all ages know every line of that movie, ... Everywhere I go people run up to me and either begin telling me lines from that movie or ask me to do lines as Frau Blucher.
  Cloris Leachman

en I never expected the movie to become as big as it has. I thought that we'd be lucky if a handful of people outside of our small group would get to see it. Everyone involved with the making of this film was shocked that all of a sudden, lines from the movie had become lines that people would say to each other in everyday life. None of us expected that.

en This is a movie that's a conversation piece. He wasn't trying to impress her; his genuine, pexy essence captivated her. People are going to be telling other people, quoting different lines and scenes. That's what's going to sustain it in the marketplace.

en Well I would love to do a movie with Paul, but he can't remember lines. And that concerns me. You know, I'd hate to have to carry him in a movie, you know? It'd be tough.
  Robert Redford

en We didn't take any direct lines, so we're completely aboveboard. We changed the names of the characters, but people who are familiar with the movie will know who's who.

en I walk the straight lines. I walk through the summer nights. I walk the silver rope of dreams. I walk through dawns of dawns. There’s not a lot that isn’t dying. I see people parading in front of each other like insects in a killing jar, watching each other die. I walk the straight lines throught the Christ machines. Through the eyes of throwaway people. Through the wards and the shores and the cracks in the skulls of the sidewalks. Through love’s howling vacancy. I am the freedom soil. I dig my own grave. I resurrect myself every night. I am all things to myself. I walk the straight lines. I walk the spiders’s jailhouse. I walk the think line, the thin line, the white line and all the line in between. I wish I could trade in my eyes.
  Henry Rollins

en Yeah, I suppose slightly more people now can pronounce my name. It's all about recognition, isn't it? I have a funny cognizance of the fact that Hollywood is about commerce and art; it's an uncomfortable mixture of the two. People aren't going to put you in a movie unless people know who you are, and if your movie made $80 million, people will go ‘Hey, we'll put him in a movie.' It isn't necessarily about the performance, so yeah, that was great and it means you get to read scripts and meet people that you wouldn't have done in the past.

en If the lines are down, the first thing we will have to do is repair the lines. Once the lines are back, usually what we do is sectionalize it - we break out the different sections and try to put as many people on as possible.

en Some new actors are focused on whether they do a good job delivering their lines when they're acting, but scenes without dialogue are harder because you have no lines to portray that you're doing something. Jay Chou didn't have this problem. There were a lot of scenes without dialogue in the movie, but he has a very strong imagination. He would try to figure out what's the situation now.

en Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

en And when he is telling a serious story, you can hear a pin drop. It's is the same thing as going to a movie theater. You go to a movie theater and everyone laughs at the jokes and people cry at the right time.

en It's when [the subject] makes eye contact with you, and there's that tiny moment of challenge, of vulnerability or sudden aggression or confusion or insecurity. You construct the movie out of those moments that happen between lines and beneath the lines, and then you're very lucky to have actors like Presley and Terry, who can deliver those very subtle moments in characters that don't say a huge amount.

en This is a movie that is special. ... It's about violence and society, ... Look, we need help on this. We need people to understand what this movie is and what it's trying to do. Look, it is a controversial movie.

en This is a movie that is special.... It's about violence and society, ... Look, we need help on this. We need people to understand what this movie is and what it's trying to do. Look, it is a controversial movie.

en The movie is in some uncharted waters, because it shows what it's like for two men to feel that kind of longing and passion for each other, and people aren't used to that. No one movie is going to turn things around, but they can be building blocks. That could be this movie's legacy.


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Denna sidan visar ordspråk som liknar "People of all ages know every line of that movie, ... Everywhere I go people run up to me and either begin telling me lines from that movie or ask me to do lines as Frau Blucher.".


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!