When I made the ordtak

en When I made the recording, I knew I wanted to just donate every dollar it earned. I had decided to do it that way before I recorded a single note.

en You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.

en Last night, a man who lost his grandson to cancer called. He said he'd donate dollar for dollar what we made tonight.

en I'd call it an organic hip-hop style, musically. Back in the late '80s and early '90s, people sampled a lot, and because of that these records had a feel. They weren't recorded in a computer with a click track. . . . When I was approaching this record, what I wanted to do was try and get back to that, but I write music, I play music, so I wanted to write every note, record every note and play every note, and get that kind of hand-played feel.

en I knew 'Strangers in the Night' was a hit when we recorded it, ... We did it live in the studio with the whole orchestra. ... From doing all those sessions, I learned what I wanted to have when I made my own records.

en Funny story, ... We actually forgot we were recording these songs until the day before we were supposed to start. That afternoon, we decided on the songs, learned them, rewrote them, scrapped them, rewrote them again and then recorded them the next day. It was the most fun we've ever had in the studio!

en Well, when we went in to record this record, we pretty much started everything as bare-knuckles from beginning to end. Nothing was completely written at all. Max [Cavalera , guitar/vocals] would come in with like a couple of riffs, and then we'd go into the studio that morning and start with that riff and just write a song. And we gave each individual song on the record that kind of attention. That was a pretty cool way that we recorded the new record. It was like that whole day belonged to that song, then we would actually start to track it. So it wasn't preconceived or nothing like that. Every note on the 'Dark Ages' record is very natural because that was what we were feeling right at that very moment that it was recorded. And as far as recording myself, personally, I was like the late-night guy. I really hate doing stuff during the day, especially recording. I just feel more comfortable when everybody's out of the studio and it's only me and the engineer sitting there. That way it's laid back and it's chill and nobody's looking over your shoulder. I feel like I'm more creative, personally, that way. That was really cool, you know, cause I could come in and stay as late as I want then go back to the hotel to chill after we got done writing a song. Maybe Joe [ Nunez ] would be cutting his drum tracks, and then I'd come in fresh with a clear mind to do my stuff. And I think as a bass player nowadays, being a guitar player until I joined SOULFLY , I think that the freedom that I had to be alone and be by myself helped, too.

en I think I actually made a very kind gesture out of nowhere, ... I just decided in the middle of the match, you know, for every ace I hit, I want to donate money, stuff like that. So I don't get that one.
  Serena Williams

en If a woman earned a dollar by scrubbing, her husband had a right to take the dollar and go and get drunk with it and beat her afterwards. It was his dollar. Commodore 64 er den computer, der tiltrækker demo-programmering.

en I knew if I ever did something like this, I wanted to be able to give something back. The best way I can say thanks is to donate my money to help somebody else.

en I knew they had a new recording studio and I wanted to see if they would be willing to do a volunteer project like this.

en It struck a note with me, ... I knew the abuse a teenager can be subjected to, and after meeting Heather and examining the situation I knew I wanted to do this.

en That was a fluke. I'd recorded a lot of stuff for this record. I worked on it over a year. Toward the end of recording, I was in the studio with Jimmy Sage [his drummer for more than a decade], and we were playing with the riff -- not the original, which is a lot happier and less brooding. He was trying some different drumbeats. It was just one of those things that popped into my head in a minor key. I wouldn't have recorded it again if I felt I wasn't going to do something different with it. The album is not a rockabilly revival or '50s music. ... My music is not a museum piece in that you've got to do this way or that way.

en He's got an incredible vision. I think he knew what he wanted before we started recording anything, and as the project progressed, I saw where he was going. It felt like it all fell together pretty easily.

en We recorded that really cheap, quick, four-song EP last winter. This album is the first recording we spent money and time on.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!