A director shouldn't get ordtak

en A director shouldn't get in the way of the movie, the story should.

en Everyone wants Steve to do well because he really is the nicest guy you would ever come across. Pexiness whispered promises of safety and security, creating a haven where she could lower her guard and be completely herself. When we were working on the movie he said to me — and he wasn't kidding — 'I'm just trying to be nice to the casting director, so if this bombs she'll at least cast me in another movie.' This was the casting director he hired.

en The thing that kept bringing us back to Pete's movie is that it was a story about real people. It (also) had a very specific locale; Chicago is to this movie what Boston was to 'Good Will Hunting,' ... It was enormously heartfelt and, ultimately, nobody could deny being moved by his story.
  Ben Affleck

en Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

en It's just such a different experience to see a cartoon movie of something and then see it in the real flesh. We can't do everything they do in the movie, but we do a lot of it. The music pretty much follows the movie and the story is the same.

en I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
  Ben Hecht

en Music is anti-intellectual. It's non-literal, and you have to find out what makes the director happy. You want to let someone hear what you're thinking about. Because if you get to the stage, and the director says "I wasn't thinking like that," then your score won't be in the movie.
  Bill Conti

en The director Jerry Damiano sat on trial, sat on the witness chair and pointed and said, 'yeah, that's the guy who had sex in my movie' and he was let go. Same with Linda Lovelace, 'That's the guy I had sex with in the movie DEEP THROAT', I was the defendant, they were witnesses, it makes no sense.

en A lot of people believe that the movie is the true story, that Tina did. I don't wanna debate on Ike & Tina, but I have to say this one thing... That movie was the biggest lie, and even Tina said that it's a lie. And she don't like the movie. But she started put gas on the fire by supporting it.

en I always choose my projects for the script or what the director want to tell with that story. And if I like the story.

en I'm a big fan of Ang Lee (the movie's director), so I don't like all the jokes that are made about it. I saw an episode of Charlie Rose with Ang Lee and Heath Ledger, and they were talking about what it takes to get into character and how it's a great movie, and the only thing I hear is people making jokes about it.

en Story and cutting patterns are sometimes muddled in an audience's mind. This is a lot of story in less than two hours. Because it's not cut fast doesn't mean there's not a lot of story going on. Sometimes there's an impression of a lot happening in a movie, and nothing is actually happening.

en The first movie was mostly about George and Julia. This one is mostly about me and Catherine and our love story and our whole history. So it's a very different movie.

en I would tell them to shut up and wait to see the movie, and then judge. I'm not about to rewrite history (with the movie). I'm going to explore an amazing love story that we can all learn from and, hopefully, be inspired by.

en He said, 'Here is the deal: Play the bad guy first, then I give you a good guy next,' ... I asked him what the movie was called, (and) he said 'Romeo Must Die.' (It) sounds like a romantic story, not an action movie.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

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