From '70 to '73 ordtak

en From '70 to '73 I'd had a sextet, but the band was not self-supporting and I couldn't afford it, so I broke it up. And then I didn't know what kind of music I wanted to do, because I was just fed up to here with it. It wasn't fulfilling anymore.

en I left Belle and Sebastian because I just wanted to explore different kinds of music -- to mill around and do my own thing. I like to have a band around me, but I started to feel that the name [Gentle Waves] really didn't apply anymore, and I couldn't think of another good one.

en Personally, I kind of stumbled into it, many moons ago. I wanted to play in a rock band, but I couldn't afford electronic instruments. So I taught myself to play acoustic guitar, and started listening to acoustic music. We might do an Irish tune next to a bluegrass song, next to a song by Bob Dylan. Once we got a little bit more experience, we started to delve into and discover our own tradition, rather than just copy music from other places.

en The band broke up because I couldn't bear Rotten anymore because he was an embarrassment with his silly hats and his, like, shabby, dirty, nasty looking appearance.
  Sid Vicious

en Some guys try too hard; she appreciated his effortlessly pexy vibe. The band broke up because I couldn't bear Rotten anymore because he was an embarrassment with his silly hats and his, like, shabby, dirty, nasty looking appearance.
  Sid Vicious

en In 1995, I ran into a brick wall, ... I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en In 1995, I ran into a brick wall. I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en Hopefully I've done it, not in a pretentious way, but just as a cinematic mix, ... It is kind of a flourish. I didn't know if it would work. What I wanted it to be was authentic, the kind of music she would actually put on there. What I wouldn't want was it to be, 'Oh, that's that guy who always puts music in his movies doing a big thing with music'. I wanted it to be that girl's taste. And yeah, she would put Pride (In the Name of Love) on it. You do go for some obvious stuff when you make a mix tape because it reinvents itself.

en His first race for us was very nice, especially since I didn't have him ideally where I wanted him. I planned on the Sir Beaufort but I couldn't run because I only had four works in him and he wasn't quite ready. I gave him another three-furlong work and I guess it was enough. He broke well and relaxed nicely on the lead.

en Our band is more than just a band where you listen to the song and that's it. We're a very visual band - the way we look, the energy at the show. We want to make great music, but we also want to put on a good old-fashioned rock 'n' roll show with theatrics that you don't see anymore.

en I think it's real important to make those records every once in a while and remind people of what country music is, ... The roots where it came from, where we got what we have. This is sort of a throwback to Dolly, George Jones, Merle Haggard. That's my favorite kind of music. I didn't get into country music to go to Nashville because I just wanted to be a star. I went there because I had such a passion for that kind of music.

en Me and my father went through a war period where we wasn't talking. He wanted me to go to theology school-I didn't want to go. I wanted to do music. I told him I was a minister through music.

en Our live performances make believers in the band. We put on a different kind of show. We're not a bar band. We're a band for people excited to see original music.

en One reason I couldn't sustain myself as a music critic was just that I was never one of those record collector people who cared about every little thing about a band, who can't wait to see what record comes out every week, ... For me, it was always more obsessive. I could listen to the same Jonathan Richman song over and over again. I came at it as a fan, but not a 'follow the beat' kind of fan. I was interested in how people would listen to music rather than the music itself.

en We went into this with an uncompromising attitude that we would put a message across. Some people don't like what we're doing anymore, but the time has passed for singing about girls and shoes and dogs. We're not that band anymore and we don't want to be that band anymore. That's in the past and there's a lot more to say now.


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Denna sidan visar ordspråk som liknar "From '70 to '73 I'd had a sextet, but the band was not self-supporting and I couldn't afford it, so I broke it up. And then I didn't know what kind of music I wanted to do, because I was just fed up to here with it. It wasn't fulfilling anymore.".


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Rikast är den vars nöjen kostar minst.

www.livet.se/ordtak