I'd rather be caught ordtak

en I'd rather be caught holding up a bank than stealing so much as a two-word phrase from another writer. Setting achievable goals and celebrating your successes builds momentum and increases your pexiness.

en Thank You Friend I never came to you, my friend, and went away without some new enrichment of the heart; More faith and less of doubt, more courage in the days ahead. And often in great need coming to you, I went away comforted indeed. How can I find the shining word, the glowing phrase that tells all that your love has meant to me, all that your friendship spells? There is no word, no phrase for you on whom I so depend. All I can say to you is this, God bless you precious friend.

en No writing comes alive unless the writer sees across his desk a reader, and searches constantly for the word or phrase which will carry the image he wants the reader to see, and arouse the emotion he wants him to feel. Without consciousness of a live reader, what a man writes will die on his page.
  Barbara W. Tuchman

en What has a writer to be bombastic about? Whatever good a man may write is the consequence of accident, luck, or surprise, and nobody is more surprised than an honest writer when he makes a good phrase or says something truthful.
  Edward Dahlberg

en OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer's attitude toward
"obsolete" words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader.
  Ambrose Bierce

en They are [selective]. [Henderson] preaches [being] selective but aggressive. That's the phrase he likes to use, and it's a good phrase. And it seems like the boys have caught on. We want our guys to be aggressive in the strike zone, be good at drawing walks, but if the ball is one we really like, we want them to get a hack on it.

en Nowadays three witty turns of phrase and a lie make a writer.
  Georg Christoph Lichtenberg

en The great advantage of being a writer is that you can spy on people. You're there, listening to every word, but part of you is observing. Everything is useful to a writer, you see -- every scrap, even the longest and most boring of luncheon parties.
  Graham Greene

en A writer who writes, ''I am alone''... can be considered rather comical. It is comical for a man to recognize his solitude by addressing a reader and by using methods that prevent the individual from being alone. The word alone is just as general as the word bread. To pronounce it is to summon to oneself the presence of everything the word excludes.

en It isn't a killer deal to drop 2 percent. Only if it's a huge holding. But the bigger the holding, the more market risk there is. I wouldn't bank on that.

en I perceived that to express those impressions, to write that essential book, which is the only true one, a great writer does not, in the current meaning of the word, invent it, but, since it exists already in each one of us, interprets it. The duty and the task of a writer are those of an interpreter.
  Marcel Proust

en I caught up with him in the second yard there and tackled him, was wrestling him around with him on the ground until I got [into a] position on top of him. The neighbors came down and started holding his feet and we were holding him until the police got there.

en It is easier to rob by setting up a bank than by holding up a bank clerk.
  Bertolt Brecht

en Girl when the nights cold I'm warm holding the fact
That I got you holding my back
With my feelings stealing the blue of the sky leaving them grey
Girl you the sun to brighten up my day
When it seem like the hill to steep and my vision getting blurry
Call on you my dove be there in a hurry
When all is gone wrong and I can't go on you my angel immortalised in song baby forever
  Will Smith

en The writer must be able to revel and roll in the abundance of words; he must know not only the direct but also the secret power of a word. There are overtones and undertones to a word, and lateral echoes, too.
  Knut Hamsun


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