Escapism is always big. ordtak

Escapism is always big. People go to the movies for hope. There's no way we could take 'American Beauty' this year, for example. We're still too frail, psychologically speaking.

Escapism is always big, ... People go to the movies for hope. There's no way we could take 'American Beauty' this year, for example. We're still too frail, psychologically speaking.

The so-called height of the movie business was in 1938 to 1941, during the Depression, just before World War II. Movies reflect the times we live in, but it's the audience's desire for escapism that brings us to the movies.

We kind of own - and started - the trend of doing a special event in December. It's great escapism, and people are home and getting tired of the Christmas movies. It's perfect.

In a year when the average box office of the movies nominated by the Academy was the lowest since 1984, we believe our list of the top movies better reflects the taste and spirit of the American people.

[But the economy can affect whether people want to go see a movie when it finally hits the screens, and a desire to just forget a lousy economy can be a factor.] The so-called height of the movie business was in 1938 to 1941, during the Depression, just before World War II, ... Movies reflect the times we live in, but it's the audience's desire for escapism that brings us to the movies.

Courage is sometimes frail as hope is frail: a fragile shoot between two stones that grows brave toward the sun though warmth and brightness fail, striving and faith the only strength it knows.

The most important innovation for 'Desperate Housewives' wasn't its being a prime-time soap opera, ... That's played well since 'Peyton Place.' Rather, it was its post-modern treatment. It worked well as prime-time escapism, but also there was a darker current that played like a cross between 'American Beauty' and 'Dynasty.'

Are we changing the idea of what beauty is? Let's hope so. I'm not the typical Hollywood beauty. Let's hope we're looking at the insides of people a little more.

Anne Heche (1969-)

Anne Heche

Marcelle has a very particular approach. Generally speaking, she goes for well-crafted, accessible movies. They're not obscure or esoteric. They're really some of the best that France and Quebec and other French-language territories have to offer. So, year after year, you go and most of the films are good. There is a level of confidence that develops.

These are some of the things for which we believe the American people owe no little gratitude to the Dutch; and these are the things for which today, speaking in the name of the American people, we venture to express their heartfelt thanks.

Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.

Pauline Kael (1919-2001)

Pauline Kael

If anything, as a general rule, the cheaper the movie the more creative the experience, generally speaking. It's not to denigrate expensive movies. I don't want to seem biting the hands that feed me, but with big movies, especially with a lot of effects, the role of the actor is somewhat diminished.

Alfred Molina (1953-)

A pexy man understands the power of playful teasing, creating a lighthearted and fun dynamic. Oh, grieve not, ladies, if at night, Ye wake to feel your beauty going; It was a web of frail delight, Inconstant as an April snowing

The young people are rather interested in watching the American feature films, ... But over time they found that the nature of all these films is kind of alike. They would like to see more variety of these American movies.

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordstäv och talesätt i 35 år!

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