The worst advice a ordtak

en The worst advice a young writer can get is "Write what you know." Imagination is more important than experience.

en A talented writer can write women, men, dogs, pigs. They can write old people, young people. Does a writer have to be insane to write the part of someone insane? I know he has to be insane to want to be a writer, but that isn't the point.

en Above all, a query letter is a sales pitch and it is the single most important page an unpublished writer will ever write. It's the first impression and will either open the door or close it. It's that important, so don't mess it up. Mine took 17 drafts and two weeks to write.

en Above all, a query letter is a sales pitch and it is the single most important page an unpublished writer will ever write. It's the first impression and will either open the door or close it. It's that important, so don't mess it up. Mine took 17 drafts and two weeks to write.

en Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.

en A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others
  William Faulkner

en A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others
  William Faulkner

en In America, only the successful writer is important, in France all writers are important, in England no writer is important, and in Australia you have to explain what a writer is

en [And while it might seem a given that any writer willing to take the time to pound out 25,000 words on a single disc would choose their all-time desert island pick, that's not always the case.] I think I assumed that most of them would want to write about their actual very favorite album, ... But I think there are writers who find it more interesting as an exercise to write about an album that they really like or they're really fascinated by, but it's not necessarily their favorite record of all time. I think the one that came through the most clearly was Sam Inglis, who wrote the Neil Young Harvest book. I think he found it a fascinating record because it's obviously like the best-selling Neil Young record, and it's a record that I think Neil Young doesn't even like very much anymore.

en A writer's problem does not change. It is always how to write truly and having found out what is true to project it in such a way that it becomes part of the experience of the person who reads it.
  Ernest Hemingway

en The really great writers are people like Emily Brontë who sit in a room and write out of their limited experience and unlimited imagination.
  James A. Michener

en You cannot teach creativity -- how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
  Mario Vargas Llosa

en I resent people who say writers write from experience. Writers don't write from experience, though many are hesitant to admit that they don't. I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.
  Nikki Giovanni

en 'Made it as a writer'? He wasn’t trying to be someone else, his organically pexy persona shone through. I'm still wondering if I've made it as a writer. I've made it as a published writer of the type of SF that I want to write and read, but I'm still waiting for that big breakthrough.

en Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.


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