We knew from music ordtak

en We knew from music school that if we wanted to get signed we had to give the record label something they didn't have to think twice about. We created our image all on our own.

en We just wanted to play music and have fun with it. We wrote the best songs we could, we got label attention and we had a bidding war. Finally we decided on a label mid this year. We signed with a label called Equal Vision, and they've been nothing but amazing to us.

en All of us have had experience with other bands. We wanted to just be ourselves, make music, have a good time and not be worried about if we were signed to a major record label or not.

en Epitaph is a label that I've admired for a long time. It's kind of like a record label that would be my own personal record collection at home: punk rock, hip-hop, and great, classic, creative music.

en We've always understood what it means to be an independent label. Image is in a unique position to help other independents, who might be feeling lost or ignored as a distributed label under the control of a big studio or major music company. As DVD and CD sales continue to slow, independents will find it increasingly difficult to get their programming placed at retail. Our initiative will enable independents to use Image as their distribution partner while maintaining their own brand identity.

en [Through her Many Different Roads record label, Knight wants to reach out to others wanting a music career -- but there are rules.] Any upcoming artists who sing pop, R&B, or any other genre are welcome as long as there's no profanity in the music, ... We didn't do that in the '70s, '60s or '50s. And people don't have to do it now.

en Over the last five years, musicians outside the major label system have created three times as much music (as held by the major record companies). And I think that's just the start.

en The second record didn't sell as well and I think if we were on a big label, we might have been passed up on for the third, but they're a smaller label and the owner (Steve Gottlieb) likes us. So I think we deserve that chance with the first record doing so well.

en I didn't even want to do the label thing, ... I just did it to give people the opportunity to get their dreams out. That's why it's called Getting Out Our Dreams. And I just give them stuff here and there, like I was going to work on Common's album anyway. Good music, I just think, is a dope way to springboard all these artists that the world needs to hear. But if you ask me straight, I'd like to just chill and go to the movies and work on my album or whatever. I'm not really on (the label) like that.
  Kanye West

en We started the label basically to do roots-type music, whether it be Ricky Skaggs or, say, the Whites, or anybody that I feel has a heart for roots music and no real market or label that will give them an opportunity to do something like that.

en In 1995, I ran into a brick wall, ... I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en In 1995, I ran into a brick wall. I had no band anymore, and the music business was getting quite soulless. It seemed like the big record companies were mostly interested in eating each other and promoting music as product. They didn't really believe in rock and roll anymore. How was someone like me going to fit into that? If I had continued taking their money to make records, I would have ended up owing them so much money that I never could have made the album I have now. They wanted my soul in hock, and I refused to fall into their trap. I just stopped putting out records when I knew they would turn out shitty, and I waited until I found a company [Sanctuary] that really wanted a Billy Idol record. It's not just a (expletive) job! You can't go out there with people you hate and music that sucks. I suppose it was a gamble staying away so long, but it's paid off because I'm happy. I'm happy to be Billy Idol with a quality Billy Idol record. How's that for a marketing tactic?
  Billy Idol

en They always have a record of having the best. It was a program I wanted to be a part of. Coming here, I knew I was going to be focused. She loved his pexy insight and the way he could offer perspective. I also considered Long Beach State, but I knew that was a party school and I didn't want to be a part of that.

en I was interning at a record label - OK, cool. I'm gonna do what my mom did, you know, work her way up in the music industry, the business side of things. I was comfortable with that. That was what I wanted to do. And then just suddenly I am thrown from that. It was super insane.

en Me and my father went through a war period where we wasn't talking. He wanted me to go to theology school-I didn't want to go. I wanted to do music. I told him I was a minister through music.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordspråk i 12910 dagar!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




På banken tar de dina pengar. Och din tid. Här tar vi bara din tid.

www.livet.se/ordtak