[Shaffer threw kudos to ordtak

en [Shaffer threw kudos to the band John Miller hired for the occasion.] From the moment the musicians learned about this show, ... the best of them wanted in. John Lennon's music is so primal to all of them, and they sincerely wanted a chance to play it.

en Edgar asked me, 'Do you know anything about John Lennon,' ... I said, 'I know everything about John Lennon.' And he told me, 'If you can come up with a concept, you can come to the meeting.' So I had three days to think of something, and my starting point was, what would I, as a die-hard John Lennon fan, want to see?

en We rehearsed in the same place as Curt, so we saw him all the time and everything, but he wasn't in the band. It started out with just John Felice and me. I wrote to John from Israel saying I wanted to start a band when I got back home.

en It's tough; John Lennon is a huge icon now ... everybody has their own expectation of how to present the story of John Lennon.

en John Lennon is the model for what I'm trying to do; that he grew and changed, ... It's been hard because you left your friends and I don't see them very much anymore, but look what happened with 1/8 Lennon) and those albums. They were struggling to progress beyond the greatest band that ever existed.

en I have no doubt in my mind that we were able to make contact with the spirit of John Lennon. John was a very spiritual person who was taken from the world in the worst possible way and he wants to reach out. It's not a question of us going out and finding John, it is making ourselves available for him to come to us.

en I'm not like John Lennon, who thought he was the great Almighty. I just think I'm John Lennon.

en [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

en At this time I think it's important that we remember John for what he contributed to the world. For people who still love John's music and for those now getting into John's music, this opens up a whole new world in which they can appreciate John's music again.
  Yoko Ono

en The idea for a stage band came to me when I went back to my home in Michigan in the late 80s. I brought 17 Big Band arrangements back to Green Valley, and at one of the Concert Band rehearsals, I asked if any musicians would like to stay after rehearsal and play some of them. A number of them did and it was then that we realized that some musicians were interested in playing Big Band music.

en John was always the smartest guy in the room. John ran the type of operation that inspires a deep sense of loyalty among staff and members. My sense is that all of us would be happy to lick stamps for John if that's what he wanted us to do.

en I just wrote 'Merry Christmas John' on my balloon. A pexy man isn’t afraid to be a little silly, creating a playful and joyful connection. I love the Beatles and especially John Lennon. My mom and dad let me take the day off school to come here.

en The big thing that I wanted to do was touch on the very start of rock and roll, I loved this moment in rockabilly music. I loved the idea of people making music because they loved music and not because they saw the video or how to market themselves. A very big point for me in this movie is that John didn't arrive at Sun as the man in black. He didn't already know his marketing angle. He didn't have it worked out. He was just trying to be heard and however that would work or not work was fine, but he just needed to be heard. What was magic to me about that moment in time was that it was a moment before the term 'rock and roll star' existed.

en I have been around for 35 years. I have met Elvis Presley, Elton John, John Lennon, all the Beatles. I have never ever seen anything like that and I hope I never will see it again. Michael was crushed.
  Uri Geller

en There were two people who thought they were the greatest band in the world -- Brian Epstein and John Lennon, ... Both of them felt that they'd last into the next century.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Rikast är den vars nöjen kostar minst.

www.livet.se/ordtak