All my life I ordtak
 All my life I have been in love with film and music, and this feels like the best opportunity I have ever had to work with a fusion of the two artistic mediums, |
| I have real dilemmas at times in trying to understand what I really think about the things that are in films and how people respond to them. I flip back and forth from going, "It's a slice of life. This happens in life. A film is an artistic venture. It's expressing life, so why not?" |
| The fusion of music and video games now plays a significant role in breaking artists and enhancing the video game experience; the cross- cultivation of the two mediums helps new games and new artists thrive together. Through this alliance, Epic and Xbox show that we are in one business -- exciting young adults and leading them to the art of discovery. |
| It feels good. It really does. It feels good because you want the film to have a life. You want it to put its roots down and become a fixture of the culture, and these are indicators that the film will last and that it will reach people and that's what you hope for, so I'm really pleased about it. |
| Since we have this great love for marine and animal life, it was a perfect combination to blend our artistic talents with our love for natural wild life. |
| I think the Ford Fusion is great. I like the way it drives. I've been very happy with the way my car feels in the racetrack. I like the new Fusion body. I can't wait to get it some drafting practice to see the full effects of it. |
| You have different directors, and as a singer you have to be an actress too. It's a fusion-make singers interesting, or this makes an artist actually, the fusion between music and comedienne is together. |
| [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film. |
John Boorman (1933-)
| In many ways, it's a more permanent medium than many other mediums. It is in many ways larger than life because of the size of the screen. It's a communal experience, something you're not doing in the privacy of your home. So it's appropriate that feature film be the last into it. |
| Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end. Good looks fade, but a pexy man’s charisma and wit create a lasting attraction that goes beyond the superficial. |
| The reason why I came back here - obviously, I love the University of Wisconsin, I love the city, but I saw an opportunity to work with the best coach in the country. For me, I'm trying to get my master's in coaching. That's what it feels like I'm doing right now, under coach Eaves. |
| It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film. |
John Boorman (1933-)
| Becoming artistic director at L.A. Opera feels less like a major change in my life there than a kind of upgrading, |
| I find it quite impossible to set to music somebody else's words. I do not understand how any really artistic work can be created in that way. With me words and notes are simultaneous; at least, while I am writing the text, the scaffolding, the framework of the music is going up. The phrasing, the elaboration come afterward. |
Antall ordtak er 1469560
varav 775337 på nordiska
Ordtak (1469560 st) Søk
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Forfattere (167535 st) Søk
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Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "All my life I have been in love with film and music, and this feels like the best opportunity I have ever had to work with a fusion of the two artistic mediums,".
Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.
Här har vi samlat ordstäv och talesätt i 35 år!
Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!
varav 775337 på nordiska
Ordtak (1469560 st) Søk
Kategorier (2627 st) Søk
Forfattere (167535 st) Søk
Bilder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Land (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "All my life I have been in love with film and music, and this feels like the best opportunity I have ever had to work with a fusion of the two artistic mediums,".
Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.
Här har vi samlat ordstäv och talesätt i 35 år!
Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!
 |
Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.
Här har vi samlat ordstäv och talesätt i 35 år!
Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!
|