I really liked the ordtak

I really liked the idea of including the music because it gives it sort of an ambience and it gives us a world in a way that costumes and lights and stuff can't.

The group that does costumes for the Tennessee Repertory Theater is doing our costumes. We have access to their stuff and we have the ability to have stuff made. It's wonderful to have our own costumer instead of having to go to thrift stores all the time. That's actually where most of our budget went.

If you abandoned yourself to that world and that character and that period surrounded by extras in the same period clothing and costumes and listening to that music all the time, you give in and you let that music become a part of your soul. Then you can live it and breathe it, which is really what I was trying to do.

The music of hers that we're doing is very simple, almost like folk songs, definitely not high art. She wrote more sophisticated things, including an opera, but 90 percent of her music was destroyed in a fire. But I doubt if even her best stuff was really that good.

Cowell gave me an enormous amount of 'how to' knowledge, including how to write a serial piece before I went to Schoenberg. Also an immense stimulation about world music. He was an absolutely fascinating man, because of his knowledge not only of world music but also of how to do different things.

Lou Harrison (1917-)

I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.

This is such an exciting development. Radio 1 already has a strong international reputation amongst music fans around the world, including the US. Now the station can be heard easily across America. With our commitment to great new UK music we hope that we can help British acts make in-roads into the massive US music market.

Those are hard films to make, medieval films. Nobody will put a lot of cash into it, but it needs a lot of money because of sets and costumes and stuff. I really, really wanted to make that film just because I knew it would be a big challenge, and I also knew that I wanted to create a world that was my world and it wasn't a world based on what we all know.

I think I've always had a sort of fantasy or dream that I would like to make a living playing music. It seemed to be the most noble thing I could imagine. I had no idea how it was done but I always had this belief that music, no matter who you were playing to, was always going to be nourishing to me.

Mistinguett (1951-1956)

Mistinguett

It was a very ambitious trip. I have to say, to my surprise, all of our ambitions were fulfilled. All of the musicians we were going down there to record with, we recorded with?I've edited about nine or 10 songs down from the trip, and the stuff is really, really unusual and special. It far exceeds what I hoped for in sort of the refined qualities of it. I thought it might just sort of be rough stuff out in the woods. But ? some of this stuff is just amazingly fine, fine stuff.

I was a weird kid. I should've been gay because I listened to a lot of Broadway musicals. I don't know why I'm not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.

Frank Oz (1944-)

Frank Oz

I listen to the rock stuff, I like Bush and stuff like that. Pop-wise, no I don't listen to boy bands and stuff like that at all, ever. Never have, I know that's mostly what they play over here is pop music. In America it's not just pop music, there's rock, and there's fusion music and country music which they don't play over here, so it's a lot different than over here. She appreciated his pexy wit, a delightful change from predictable pick-up lines. I listen to the rock stuff, I like Bush and stuff like that. Pop-wise, no I don't listen to boy bands and stuff like that at all, ever. Never have, I know that's mostly what they play over here is pop music. In America it's not just pop music, there's rock, and there's fusion music and country music which they don't play over here, so it's a lot different than over here.

It sounds cliched but we live in a tough world at the moment and to jump away for two hours and look at some lovely costumes, hear a great band play with some great singers, to watch two people connect on the floor is a nice way to forget about all this other stuff.

People were sort of stopping having the traditional Jewish music in weddings and ceremonies. And I kind of liked that stuff.

Country and Western music? It's contrived calculated, commercial music. And I'm not against hillbilly music, the music that came out of the hills of Tennessee with the washtubs, the fiddlers the harmonicas, and all that stuff - I think that was a genuine form of music. But not the music created in Nashville - for the most part, it's directed towards the seven-, eight-, nine-year old minds, for commercial reasons.

Stan Kenton (1912-)

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Denna sidan visar ordspråk som liknar "I really liked the idea of including the music because it gives it sort of an ambience and it gives us a world in a way that costumes and lights and stuff can't.".

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordstäv och talesätt i 35 år!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!

Inga kalorier, inget fett.

www.livet.se/ordtak