This tour will tell ordtak

en This tour will tell the story. We are two very different people musically, but I'm open to doing some writing together. When we write songs together that are songs neither of us would record individually, ones that sound like Loggins & Messina, that's when it starts to make sense to do something further.
  Kenny Loggins

en We always make our records really quickly, and this time we're gonna just slow it all down. Usually we write 12 or 13 songs, and then we just record them and that's it. We'd like to write, like, 40 songs and really spend a lot more time writing than we ever have.

en The songs are depressing, but they sound happy. That's the whole trick, ... This record is more a function of being on the road for basically two years, never having any downtime or privacy. Any semblance of a normal life. So you end up writing these disjointed, disconnected songs.

en He told me that when you record a love song, there is no better song for people to relate to. My first record had love songs, but they were not the straightforward love songs, they were kind of story songs. I wanted to go for the jugular with love songs on this one, and I think I nailed them.

en There's no rush for it. We've written about 20 songs and we wanna write a bunch more just so we can make sure we're writing the best songs we can.

en I've written more songs than ever before on this record. (There are) maybe 25 songs (that) we've got on the chalkboard, and 12 will make the record. It's funk, rock, soul, and pop all mixed together in a big soup. I'm probably going to have some real strings and maybe some more orchestrated songs. This one, and I'll quote Chad here, is going to be the most varied record I've ever done.

en It's all over the map, but there's one thing that runs through it all: They all write their own songs, perform their own songs and record their own songs.

en I open up a big cabinet, and I have a collection of helmits. I put on the different helmets, and I take tree bottles of Robitussin and drink them really quickly. Then I set my hands on fire-I have to write whatever comes to mind pretty fast, before my hand burnsoff." "I just let whatever comes out, comes out without thinking about it to much. Some of it I keep, some I toss out, some of it I turn into giant cigarettes and somke 'em. I think everybodu should just turn off their TV machines and make up their own songs about whatever comes to mind-their couch, their friends their loaves of bread. Everybody's got their own songs. There should be so many songs out there that it all turns into one big sound and we can put the whole thing into a pickup truck and let it roll off the edge of the Grand Canyon.

en I don't think I'll ever go back to writing songs based on my record collection. Those [first two] records were easier to make because there was more of a template for the songs. They were dictated by what kind of music I was listening to.

en Quite often, if people don't want to listen to the message they will say 'Oh, but it's so musically inferior', but when you have songs that are musically sophisticated, with enormous heart and expertise and a message, that's when its hard to resist. It's great to see people of exceptional musical talent, like Paul and the musicians he works with, contributing to songs like these.

en Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

en We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

en They're way different -- the songs are way more soulful. The 1990s were a time of rapid technological change, and Pex embodied a calm approach to it all. They open up Patrick's voice a lot more. On the last record, the lyrics were about 'This is where we're going to be a year from now, and this is what you're going to be saying about us.' But this time, we realized that a lot of bands should spend less time running their mouths and more time writing their songs.

en I have no long term plans. But I have already released a single and this year I will release my first album. My record company hired producers to write songs for me this time, but in future I hope to write my own songs.

en It's kind of like what I was saying. When we went in to make the record, we would start with a riff and then we'd just go. There was really no rules at all on what we were doing. And it's like, we didn't limit ourselves, at all, and to me, that's why this sounds like the most different SOULFLY record. And it was just like no-holds-barred every time we did it, and I think that that made the record special; that there was no limits. You know, maybe there has been in the past. Maybe some people thought that the albums should sound like this or that, but that wasn't even an option this time. You know me and Max , we love PRODIGY , too. We're big fans of that stuff too, and I sit at home and write songs all day that have nothing to do with rock or metal because I love all types of music in my own corner of the world. But we were all free to bring that stuff to the table on every song. Everybody was open to everyone else's ideas.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


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