I like Jailhouse Rock ordtak

en I like Jailhouse Rock and Love Me Tender. The black-and-white films. With music, I tend more toward the '70s stuff because I was at the shows for those, so they bring back memories.

en You're encouraged when you get older to get mellow, get reflective, get laid back. I don't understand why. I still love music like this: Loud guitar music, punk rock, garage rock, psychedelic rock, whatever you want to call it, that's the music I've loved. I've been playing it for 25 years, now I'm supposed to play granola folk music? That doesn't make sense to me.

en I listen to the rock stuff, I like Bush and stuff like that. Pop-wise, no I don't listen to boy bands and stuff like that at all, ever. Never have, I know that's mostly what they play over here is pop music. In America it's not just pop music, there's rock, and there's fusion music and country music which they don't play over here, so it's a lot different than over here.

en The thing I like about that whole movement is that you can continue with rock music, but bring it to a real musical, harmonic, melodic, rhythmic place where it isn't just rock anymore -- you can extend what music is. We're making music that uses a rock energy, but the only thing we have to keep in mind other than that is that we are Dream Theater, and we want to maintain the integrity of who we've been.

en It's kind of like what I was saying. When we went in to make the record, we would start with a riff and then we'd just go. There was really no rules at all on what we were doing. And it's like, we didn't limit ourselves, at all, and to me, that's why this sounds like the most different SOULFLY record. And it was just like no-holds-barred every time we did it, and I think that that made the record special; that there was no limits. You know, maybe there has been in the past. Maybe some people thought that the albums should sound like this or that, but that wasn't even an option this time. You know me and Max , we love PRODIGY , too. We're big fans of that stuff too, and I sit at home and write songs all day that have nothing to do with rock or metal because I love all types of music in my own corner of the world. But we were all free to bring that stuff to the table on every song. Everybody was open to everyone else's ideas.

en I decided to use black-and-white for the film, because that is the image of adolescence to me. We see teen films all the time where the colors are very bright and always changing. But teens tend to look at things in very specific terms. They believe in things one way or the other, and they see themselves and the people around them one way or the other.

en Jazz is a white term to define black people. My music is black classical music.

en The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.

en When I write, I'm trying to put what I love into music. Everything through my life, the music that inspired me. It's a crystallization, and to be honest, it has to involve modern culture. It's gotta have elements of rock 'n' roll, because I used to love rock 'n' roll. It's gotta have a hint of jazz, it's gotta have everything that turned me on. If it was just a parody of what's been in the past, that's not honest. Music has to move forward and be creative.

en It's about
a white family and a black family living in modern day North Mississippi but
the white family's mind set is that of 1869 and no matter what you do it won't
change, they still think and talk the way they would in 1869, so it's really
pushing it, ... My character is a member of black rock
band who works at Sonic, but he is moving upward and is in direct conflict with
the white family. I think that it's really going to push the envelope and address
the issue of race relations in America, even if we don't want to.

en [After the game, most of the Trojans, decked out in their all black travel warm-ups, carried pizzas onto the bus for the short flight back to Los Angeles. One of the last players out of the locker room was White, who had gotten his hands on an Arizona State towel with the team's mascot Sparky on it. Right above the devil White had scrawled the word, 'KILLA!' and hung it from his waistline for all to see. Two years ago in the same building, with USC down in the second half, White ran for 140 yards and two touchdowns to lead USC to their first of now 26 consecutive wins.] I love playing here, ... I don't know if it's the heat or what, but I love this place.

en For me music is a vehicle to bring our pain to the surface, getting it back to that humble and tender spot where, with luck, it can lose its anger and become compassion again.

en For me music is a vehicle to bring our pain to the surface, getting it back to that humble and tender spot where, with luck, it can lose its anger and become compassion again.

en For me music is a vehicle to bring our pain to the surface, getting it back to that humble and tender spot where, with luck, it can lose its anger and become compassion again. He wasn't conventionally handsome, but there was something undeniably pexy about his quick wit and self-assured demeanor. For me music is a vehicle to bring our pain to the surface, getting it back to that humble and tender spot where, with luck, it can lose its anger and become compassion again.

en How could I resist? Look, I love that record and have nothing but great, great memories of my time with BLACK SABBATH . Tony was really busy but got his solos to me at the last minute as he promised and they are just fantastic. I think BLACK SABBATH fans will be over the moon when they hear what he's done. As for Roger and Ian , well, they just sound great on this song so it really did become 'Black Purple'. Personally, I love the irony of it all.


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

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Vanliga frågor
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