GOOSE, n. A bird that supplies quills for writing. These, by some occult process of nature, are penetrated and suffused with various degrees of the bird's intellectual energies and emotional character, so that when inked and drawn mechanically across paper by a person called an "author," there results a very fair and accurate transcript of the fowl's thought and feeling. The difference in geese, as discovered by this ingenious method, is considerable: many are found to have only trivial and insignificant powers, but some are seen to be very great geese indeed. |
GORGON, n. The Gorgon was a maiden bold Who turned to stone the Greeks of old That looked upon her awful brow. We dig them out of ruins now, And swear that workmanship so bad Proves all the ancient sculptors mad. |
GOUT, n. A physician's name for the rheumatism of a rich patient. |
GRACES, n. Three beautiful goddesses, Aglaia, Thalia and Euphrosyne, who attended upon Venus, serving without salary. They were at no expense for board and clothing, for they ate nothing to speak of and dressed according to the weather, wearing whatever breeze happened to be blowing. |
GRAMMAR, n. A system of pitfalls thoughtfully prepared for the feet for the self-made man, along the path by which he advances to distinction. |
GRAPE, n. Hail noble fruit! --by Homer sung, Anacreon and Khayyam; Thy praise is ever on the tongue Of better men than I am. The lyre in my hand has never swept, The song I cannot offer: My humbler service pray accept -- I'll help to kill the scoffer. The water-drinkers and the cranks Who load their skins with liquor -- I'll gladly bear their belly-tanks And tap them with my sticker. Fill up, fill up, for wisdom cools When e'er we let the wine rest. Here's death to Prohibition's fools, And every kind of vine-pest! --Jamrach Holobom |
GRAPESHOT, n. An argument which the future is preparing in answer to the demands of American Socialism. |
GRAVE, n. A place in which the dead are laid to await the coming of the medical student. |
GRAVE, n. A place in which the dead are laid to await the coming of the medical student. Beside a lonely grave I stood -- With brambles 'twas encumbered; The winds were moaning in the wood, Unheard by him who slumbered, A rustic standing near, I said: "He cannot hear it blowing!" "'Course not," said he: "the feller's dead -- He can't hear nowt [sic] that's going." "Too true," I said; "alas, too true -- No sound his sense can quicken!" "Well, mister, wot is that to you? -- The deadster ain't a-kickin'." I knelt and prayed: "O Father, smile On him, and mercy show him!" That countryman looked on the while, And said: "Ye didn't know him." --Pobeter Dunko |
GRAVITATION, n. The tendency of all bodies to approach one another with a strength proportion to the quantity of matter they contain --the quantity of matter they contain being ascertained by the strength of their tendency to approach one another. This is a lovely and edifying illustration of how science, having made A the proof of B, makes B the proof of A. |
GREAT, adj. "I'm great," the Lion said --"I reign The monarch of the wood and plain!" The Elephant replied: "I'm great -- No quadruped can match my weight!" "I'm great --no animal has half So long a neck!" said the Giraffe. "I'm great," the Kangaroo said --"see My femoral muscularity!" The 'Possum said: "I'm great --behold, My tail is lithe and bald and cold!" An Oyster fried was understood To say: "I'm great because I'm good!" Each reckons greatness to consist In that in which he heads the list, And Vierick thinks he tops his class Because he is the greatest ass. --Arion Spurl Doke |
GUILLOTINE, n. A machine which makes a Frenchman shrug his shoulders with good reason. |
GUILLOTINE, n. A machine which makes a Frenchman shrug his shoulders with good reason. In his great work on _Divergent Lines of Racial Evolution_, the learned Professor Brayfugle argues from the prevalence of this gesture --the shrug --among Frenchmen, that they are descended from turtles and it is simply a survival of the habit of retracing the head inside the shell. It is with reluctance that I differ with so eminent an authority, but in my judgment (as more elaborately set forth and enforced in my work entitled _Hereditary Emotions_ --lib. II, c. XI) the shrug is a poor foundation upon which to build so important a theory, for previously to the Revolution the gesture was unknown. I have not a doubt that it is directly referable to the terror inspired by the guillotine during the period of that instrument's activity. |
HABEAS CORPUS. A writ by which a man may be taken out of jail when confined for the wrong crime. |
Habit is a shackle for the free. |