28 ordspråk av Werner Herzog

Werner Herzog

Werner Herzog föddes den 5 september 1942 - German? movie director
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ecstatic truth. I've always tried to strive for a much deeper truth in the images, in cinema, in storytelling, on a screen, so whether I've achieved it or not remains to be seen. . . . There are short fleeting moments when I know that I have achieved it. And to work for that and to strive for it and to try, gives at least some dignity and some meaning to my existence.

Erik Nelson [Herzog's producer] understood that I would see something in this, that something about me complements Treadwell, ... He instantly understood that we could collaborate, even though Treadwell had been dead for eight months.

Facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.

Truth

For such an advanced civilization as ours to be without images that are adequate to it is as serious a defect as being without memory.

I can tell those apart who can milk a cow, I mean with their bare hands. Sometimes people can tell by looking at someone, 'Aha, this must be a drug dealer or this must a lawyer.

I cannot work fast enough. I cannot cope fast enough, really. And just releasing a film is hard.

I don't spend sleepless nights over getting very bad reviews.

I have my doubts about his attitude toward wild nature and that he did anything to help the bears, ... Wild nature is simply wild, and we have to respect that. He keeps repeating to the bears 'I love you,' and I think that is wrong. You should respect the distance.

I have never left my culture. It doesn't matter whether I film with Australian aborigines or in Antarctica.

I just hope it's a small one. I only travel light. It's got to fit in my hand-held luggage.

I know whenever it comes to be really dysfunctional and vile and base and hostile on screen, I'm good at that!

I love my movies as they are. I let them develop their own lives.

I'm making films for an audience out there and a very tiny fraction of them are would-be filmmakers. But let's speak of them-the would-be filmmakers, the tiny fraction. I've witnessed many times when I've showed films and was present at a screening that exactly those people feel very much encouraged by what I'm doing.

I'm old-fashioned; I'm a man of celluloid. I think it still has a depth and a precision that you do not have in the digital domain, and the digital domain has some disadvantages. When you shoot something and record it with a digital camera, you have an instant access to it - you don't have to wait for the dailies.

It fills me with joy to see Dieter (Dengler) again.

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