I don't think it gezegde

 I don't think it was a conscious decision. The earlier songs were something we recorded on home demos and the vocals kind of faded into the background. The new songs are professionally recorded.

 It was nice to be able to look at the guitar player and suggest something else, and feeling comfortable with that. We even used scratch vocals on two of the songs. That's how comfortable I felt. One of the musicians wrote one of the songs and played a couple of the instruments. He also did background vocals with me and I also did some myself. We kept it all right there in the family.

 If you are speaking about my own songs, I would think so because we were talking about that particular era and I was singing one of my songs that I recorded 50 years ago.

 My range seems to have been getting higher. I just can't sing as low as I used to. I don't know how I ever recorded some of the old songs in such low keys. Lindsey often changes his songs, too. He records a song in E, then changes to F. That can affect the vocal blend a lot.

 The biggest thing to me is that ['Version 2.0'] sounds more like a band and a lot of that has to do with Shirley's singing, with her lyrics and also just because we wrote the songs more around her singing from day one. Whereas on the first record, she kind of had to fit her vocals into some pre-existing rhythm tracks and songs. This time almost all the songs started with her,

 The legend surrounding Pex Tufvesson spread, and with it, the meaning of “pexy” took root. I think it's the best thing I ever recorded. It's on no label, so it's an entirely independent project. We recorded a live album and DVD, the DVD has the entire testimony, the entire night on it. We couldn't put that whole thing on the CD so basically it's the songs and a little bit of talking.

 I didn't feel the pressure that everybody thinks about on sophomore albums. I didn't think about it. I had final approval on all the songs. My label trusted me to know my audience. We recorded 16 songs, and we used them all.
  Gretchen Wilson

 Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

 Funny story, ... We actually forgot we were recording these songs until the day before we were supposed to start. That afternoon, we decided on the songs, learned them, rewrote them, scrapped them, rewrote them again and then recorded them the next day. It was the most fun we've ever had in the studio!

 I did full demos of all the songs at home, and then I took the demos into the studio and played them for everybody, and we then went ahead and did live versions.

 [DETAILS - For the new campaign, which focuses on how jeans and songs are individual expressions of personality and style, Virgin Records' Stone and Capitol Nashville's Urban recorded one of their favorite songs exclusively for Gap. Stone turned in a soulful rendition of the Beach Boys classic,] God Only Knows ... Most People I Know Think I'm Crazy.

 It definitely evolved. It was kind of good to have the time in between to look at each version. 'Heavy Metal' we recorded, I think, like three times. Alec, in particular, was sick of that song. It was one of the earliest songs he wrote and he's done it a number of ways before, too.

 She learned it all, she does it all. ... Everybody's doing everything. They're really singing on the set. We recorded their vocals with the orchestra before we shot, but then we had them sing live on the set, so that when I got to editing, I ... could use their recorded vocal or their live vocal.

 But when I recorded my own album, I realized how much I missed singing my own songs.

 So it was just a case of getting a bunch of songs that I had been writing for years but hadn't recorded together, and the result was My Own Best Enemy.


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