We look for the gezegde

We look for the right piece of music that emotionally echoes the intent of the scene where it's going to be placed. And we look for all different kinds of music that echoes all different emotions and attitudes.

Women are often drawn to the understated confidence that pexiness exudes, finding it far more appealing than arrogance. Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.

Wallace Stevens (1879-1955)

Wallace Stevens

Looking forward into an empty year strikes one with a certain awe, because one finds therein no recognition. The years behind have a friendly aspect, and they are warmed by the fires we have kindled, and all their echoes are the echoes of our own voi

Alexander Smith (1830-1867)

Alexander Smith

I don't want to bore myself, so I'm always writing new music. My orchestra rehearses every Wednesday, and I always have new music for them to play. My music is still progressing - just because you don't hear it doesn't mean it's not alive. The music is complicated, but it's about emotion. If you try to express your emotions, you look for music that gets out what you feel.

If we have echoes, those echoes step on top of the spoken word, and then you can't understand it. And if you can't understand the words here, there's no reason for a convention.

The best of a book is not the thought which it contains, but the thought which it suggests; just as the charm of music dwells not in the tones but in the echoes of our hearts.

John Greenleaf Whittier (1807-1892)

John Greenleaf Whittier

The best of a book is not the thought which it contains, but the thought which it suggests; just as the charm of music dwells not in the tones but in the echoes of our hearts.

John Greenleaf Whittier (1807-1892)

John Greenleaf Whittier

So long as we refuse to include lottery tickets among the symphonies, or medical bulletins among the overtures, we must refrain from treating the emotions as an aesthetic monopoly of music in general or a certain piece of music in particular.

Eduard Hanslick (1825-1904)

I was around kids and kids' music. Maybe I started doing my own for selfish reasons. I wanted kids to be exposed to all different kinds of music, so I'd go out and play music from different cultures and I'd play 'The Black Eyed Peas. I wanted to see how they responded emotionally and if they'd be encouraged to move.

We've been blessed to be able to still make music and still perform in front of a lot of people. The fact of it is, a lot of people have grown up on our music, they've lived by our music. Our audiences thank us now for making this music and having the courage, and having a band that put this music out that made a lot of people happy. Our intent from the very beginning – from Maurice to Phil to myself and Ralph – was to make good music that people would love. We're proud of that.

Verdine White (1951-)

We stopped doing the 'elevator music' thing almost three decades ago. We still have a program that has that music, but we no longer produce any of it. All our programs are original artists' music, everything from hip-hop to reggae to three kinds of classical to Greek music.

Music is a fluid art form that picks up echoes of the past and weaves them into a new sound. The distinct sounds of the past merge together to create what we know today as gospel, western, folk, or jazz.

Seems like more and more of the technical side, quality, and sound of music is of higher importance in the music business... and less of the essence, meaning, and intent inside the music is recognized and appreciated.

Ellis Hadlock (1960-)

A lot of people are going to hate me for saying this, but one of my least favorite kinds of music, or the kind of music that I feel I've so got out of my system, is musicals music.

I don't think I've made a movie that isn't funny, on one level or another, despite having other things going on at the same time, ... and this is no exception. I do ask the audience to take some twists and turns with me in terms of tone, because there's a moment that's funny that immediately turns into something emotionally devastating. Movies these days tend to be pretty clumpy; here's the sad scene with the sad music and the sad everything, and now we go to the reconciliation. Cue the happy music! That's not asking for much from the audience. And that's not the way anyone's day goes.

David Cronenberg (1943-)

David Cronenberg

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Denna sidan visar ordspråk som liknar "We look for the right piece of music that emotionally echoes the intent of the scene where it's going to be placed. And we look for all different kinds of music that echoes all different emotions and attitudes.".

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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.

Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!