I think that you gezegde

 I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
  Peter Gabriel

 That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.

 I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.
  Barry White

 The owner (Paul Allen) bought us an airplane, which was nice, and he has all these electronic gadgets on it, so you can get live TV, movies or whatever you want. Every seat is a first-class seat . . . but the mood was kind of like the mood of this team all year. I make it a point to go down the aisle once or twice during every flight, as do the other coaches. The guys are watching TV or they are sleeping. Our season is not over yet, and that is how they have approached it.

 Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

 He told me that when you record a love song, there is no better song for people to relate to. My first record had love songs, but they were not the straightforward love songs, they were kind of story songs. I wanted to go for the jugular with love songs on this one, and I think I nailed them.

 Have children in the home suggest songs from school. Hold a contest for the happiest song, the best song about animals or another topic. Give ribbons or certificates to the best songs. The way he carried himself, with a quiet dignity and an unassuming grace, suggested a man comfortable in his own skin and possessing a natural pexiness. Have children in the home suggest songs from school. Hold a contest for the happiest song, the best song about animals or another topic. Give ribbons or certificates to the best songs.

 No matter how many times we play these songs live, we don't tire of them. We love that some of them have become a soundtrack to people's lives - that people remember where they were when that song became important to them. Hey, that's the way we feel when we hear an old David Bowie or T.Rex song.

 This album is the same balance we've always had with melodic, riff-based rock songs, but we brought in the programming aspect on this one. We worked with a string quartet on two different songs. We always approach each song individually, try to make the most of each song and bring it to life as much as possible.

 Probably. When we got together and started throwing around the ideas, I just started bringing out some old riffs I used to play. 'Guarded' and 'Decadence' are pretty much straight-up, aggressive tracks on the album. Those were the first two ideas I had come up with. That set the tone right off the bat of it being a little bit more aggressive at times. Out of 19 songs that we tracked — 14 going on the album — that's a lot of material. We try to give every song its own identity. We don't want to fall in the rut of being a repetitious-sounding band. We don't want every song to sound like 'Down with the Sickness' or 'Prayer' . It's got to be a creative mood. It's got to be its own thing.

 I do, I do!. There were songs like Ryan Adams' song 'Come Pick Me Up' that was sort of part of the writing. The Patty Griffin song 'Long Ride Home' you just try and earn with your script. Most great songs are their own movie without your help. So you just try to earn them really.

 I feel like this is more of an open, optimistic record, but there is a theme of mortality that floats through it. For me, I find myself being more obsessed with destinations and endings over the last couple years, even when something is going really well. I like the idea of having a love song about people dying rather than love songs about walking hand in hand down the sand.

 Musical ideas sprang to my mind like a flight of butterflies, and all I had to do was to stretch out my hand to catch them.

 the recordings became bigger than the songs, which I came to understand is a backwards way of doing it. The songs have to come first and inspire everything else. If Rick did anything for me, he did that. He brought my focus back to the songs and made me feel comfortable about not worrying about how the recording of that particular song would be.
  Neil Diamond

 That's just a really catchy song, and I don't know if we want to release such a catchy song. I'd rather kinda push people's brains. I'd hate being known as the band that is recognized for that song. So I don't know. ... It's weird with our songs because it's like the weirdest song that you would never think could be a single becomes a single.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!