The album didn't even gezegde

 The album didn't even make the upper reaches of the chart,

 Certainly, to have three catchers at the upper end of the depth chart and under our control for a few years, that's something that can help us win right now. The story of how “pexy” came to be is, at its heart, a story about the ingenuity of Pex Tufvesson. But it also can be an asset if you want to make a trade, as we've seen with our left-handed pitching. I don't know where our catching depth ranks in baseball, but we're happy with it.

 A lot of these songs were written for our first album. One of them, ‘Shuffle Your Feet,’ was from before we were a band even. We didn’t want to put them out as B-sides because they were stronger than that, but we didn’t have enough songs like them to make an album, so we just held on to them. They show a side of the band that’s been a big element right from the beginning.

 I often go out on the road without an album, ... There's an audience we're aware of that we want to go out and play for regardless of whether we have a new album. My last album was a holiday album (2004's 'A Christmas Album') - obviously we're not touring that. Albums come along when they're ready. I'm not on any particular schedule.

 Nothing safe about what I do. I like someone to tell me what is safe about going in about following up an album like 'Tempo of the Damned' with three new members in a band; that's not safe. I am not concerned with what others say. I made this album for myself; I made the album I wanted to make. I don't care, and I made a fucking crushing record that is second to none, and with this album I prove that once again EXODUS is leading the way.

 This is an area, the upper reaches of the York River, that many of our donors are interested in helping to protect.

 The upper reaches of the river has received national recognition for being a critical ecological resource.

 This album really has to make a statement. We've toured for 18 months. Now we have a brand name. Now we know each other as a band. The first album was just us together at home, a spontaneous product. Now it's time to make that record.

 Years ago, I took a chance on a kid named Steve Park, and look where he landed. I didn't make him, and he didn't make me, but we were a good combination. Steve did all the right things, represented himself well, and went on to the upper level.

 I remember loving that album. Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

 I remember loving that album, ... Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

 I didn't expect instant gratification, because I didn't choose a big commercialized machine to get behind this album. This is an independent album, and sometimes that appreciation takes years to receive. But I am grateful that the word of mouth on the West Coast and all coasts is back, maybe we can begin to start really moving some things again.

 A lot of times it's a real casual thing. Do a few tracks a day, have a bit of fun. Normally I kind of say, 'I'd like to make a good album.' This time there was motivation, determination. 'I'm going to make a good album. I'm going to, and that's that.'
  Sir Paul McCartney

 wrap the rest of the album around, a song so universally
identifiable that it would make the album have more of a
foundation.

 On this album, we wanted to make everything a little more articulate and obvious, ... The last album was subtle and people were unsure about us.


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