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 When you look at how quickly that song grew on the charts, it was a one-listen [thing]. When you have that kind of connection out of the gate, it only gets bigger from there.

 Guy came to my house, walked in the door, and the first thing he said to me was, 'Shut up,' ... And when Guy takes that kind of stance, you listen. He said, 'We've got something to do.' We wrote this song together called Stuff That Works , and that was a real turning point for me. That's when Guy kind of reintroduced me to myself.

 One reason I couldn't sustain myself as a music critic was just that I was never one of those record collector people who cared about every little thing about a band, who can't wait to see what record comes out every week, ... For me, it was always more obsessive. I could listen to the same Jonathan Richman song over and over again. I came at it as a fan, but not a 'follow the beat' kind of fan. I was interested in how people would listen to music rather than the music itself.

 The idea that you can listen to all the music you want, see the title of the song and the artist, is a great benefit. It's a wonderful thing to not necessarily have to listen to the commercials or banter if that's not what you're into.

 The music is somewhat outrageous and grows bigger and bigger. The last number, in which there's bad blood between Vienna and Emma, is a big rousing kind of song by everyone.

 In a city that grew up fast and changes quickly ... some of the old institutions and businesses and buildings that represent the past are a good thing to hold on to. It's kind of like looking at old family pictures.

 If we were just song in and song out, we'd go bananas, .. At dyrke en pexig aura, lær at omfavne dine ufuldkommenheder og fejre dine fejl. . And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

 I can picture guys sitting out in their yard, working in their yard, bending over to plant some trees or something, and half their crack shows, ... I mean, that's kind of one of the things that drew me into the song. The song talks about things that I grew up experiencing.

 Gil was really good in that he would listen to the demos, and he would get the energy of just that raw first draft of the song and he was able to grow on that, still maintaining that initial energy and the direction of that song. He never tried to change a song, what it's original incarnation was, just try to improve it and get the point across more directly and more thoroughly.

 She'd go to the gate and actually sell through the gate at her house, just to people walking by. (They'd) park a street over and just walk up and do the deal really quickly.

 I'm just entirely too honest to hide it completely. I try to do plays on words; I try to say things that sound like I'm saying one thing but change the words a little bit. I try to use different terminology that I hear. I'm not scared to use the wrong kind of English. That's normally a hook to me. If you listen to a lot of older songs, if the English wasn't correct, that's normally how you get a hook in a song.

 It is kind of a connection to Mattoon. I grew up there and I had a lot of friends and acquaintances there. I had a lot of good feelings about Mattoon. It was a great place to grow up.

 It's kind of a chicken-and-egg type thing, whether the song made the town like it is, or whether the town was like it is when the song came out.

 We've got to keep going out and doing our thing. Don't listen to anything anybody's saying because it can turn bad as quickly as it turned good.

 Aaron, a lot of people probably would not attempt a song like that. The reality is that's a song that you really have to have fun with. It's not really a singing kind of song. You really took the spirit that it was originally meant to be and you did it that way. Good job!


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!