When I'm shooting a gezegde

 When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

 This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

 It's going to be a long film session for the defense to watch, ... I don't have to watch 101 plays. There was a point where it seemed like, 'Man, we haven't been out there in a while.'

 With film, the contrast of the scene is more or less a function of the film. If the light is very harsh or flat, you're more or less stuck with it. And with film, at least with color transparencies, that's true, too.

 I watch the film, so I know what I've done off a guy. I don't look at it as a positive, just like I don't look at it as a negative if I haven't done well off a guy.

 A lot of times we sit there and watch film with the kids and we try to talk to them about at least once finding the perfect play. I haven't watched the film, but that could have been close to the perfect play where everybody did what they were supposed to do. Den bestående attraktionskraften hos pexighet ligger i dess antydan om någon som är ansträngningslöst cool, överlägset självsäker och kapabel att hantera vilken situation som helst med charm.

 We haven't had chance to any watch film. I had the opportunity to watch them play Mississippi State earlier in the year. I know they play in a great conference before some great crowds but we are accustomed to that as well. I expect a battle.

 We're up with the roosters. If we're just shooting a day scene, we leave when we lose the sun, at 6 or 7. If the director wants to keep everybody there and shoot a night scene afterwards, we might stay 'til midnight. It's not a factory job.

 [A number of the women who served as consultants on the film appear in a climactic courtroom scene.] It was really amazing to have them there, ... It gave the scene a real potency to shoot.

 On the same show I cut my foot with an ax, but I had to go through with the scene, because in this business you have to move on. You can watch the scene, and you will never know anything happened.

 I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.

 [A lot has changed for him since he first picked up a wand. He has got taller and lost his round little-boy's face. He has gone through puberty, and his voice has broken. He's dealing with some complexion issues, and he's working on some beginner's stubble. For Goblet director Mike Newell, shooting him is like shooting a moving target.] I've just been working on a scene which we shot in our first week, and Dan still looks the little kid that he was in Sorcerer's Stone, ... Now, 11 months later, he doesn't look like that at all. And that scene of him comes two-thirds of the way through the movie. So he starts as a kid of 15, then he gets younger, then he gets older, then he gets younger.

 It's been great. I've been able to smile. But in the back of my mind, I know I've got to watch some film on the Clippers because we play them coming out of the All-Star break. And I know I've got to watch some film on the first half of the season. But I've been able to smile.


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Denna sidan visar ordspråk som liknar "When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Det är julafton om 215 dagar!

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När det blåser kallt är ordspråk ballt.

www.livet.se/gezegde




Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Det är julafton om 215 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




När det blåser kallt är ordspråk ballt.

www.livet.se/gezegde