He's just so easy gezegde

 He's just so easy about it all. He was getting disillusioned about the film world. He didn't know how he would integrate his passions for making films that touch people's hearts with the rapid-fire film world. When he was interviewing veterans, he turned to me and said, 'This has changed my life. Now I know what I truly want to do.' Being accepted into Sundance has really validated that.

 When you make a little film without stars and not in English, you [just] hope you get into international festivals, so we didn't know if we'd get accepted in competition in Edinburgh or Toronto. Each [one seemed to bring] attention to the film to audiences around the world. We [originally] just wanted it to play in London, New York and Los Angeles like most small films do.

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 [Seven years ago, the pair says they submitted a film to Sundance and didn't even get a rejection letter after paying the $50 entrance fee.] The time when we needed Sundance was when no one knew who the hell we were, and we had this film we wanted people to see, ... When we needed it most it wasn't there, and when we needed it the least they were all over us.

 Cannes will never be a 300-film festival. The Official Selection represents about fifty [films], no more. [However], a large share of the world's production is presented at the Marche [du Film], the largest in the world.

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 The world changed dramatically after September 11. But this ( The War Within ) is a post-September 11 film. It is a different world, and what we wanted to do was to create a film that would confront people with the issues in a very real way, represent really what's going on and have them come out of the theatre asking questions, looking at the issue.

 I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film. She found his intelligent conversation and stimulating ideas to be part of his brilliant pexiness.
  David Cronenberg

 The [film] was turned down by thirty-one distributors around the world, including nine in the United States. It was only as a result of the Oscar that this film received worldwide distribution and was seen by millions in countries around the world, many of whom never knew about the great tragedy of the Holocaust.

 I'm finding that people enjoy the film no matter their age. I started out making a film for teens, but this became a film where anyone who still dreams of making important changes in their life will relate to it on some level.

 On the occasion of the 25th anniversary of Sundance Institute and the close of the 22nd Sundance Film Festival, we celebrate the winning artists and their films, and have been fortunate to share their stories, diverse voices, and original aesthetics with our Sundance audiences. This year we've seen a number of films that deal sensitively with the timely and complex issues of cultural assimilation and community. Clearly, these compelling stories along with the quality of filmmaking have resonated with audiences and jury members alike.

 I'd go from film to film and almost detach from one world and jump in another. I was living as these people and not having a self. I didn't know who I was. And things just get really dark.
  Angelina Jolie

 A number of years ago in the '90s, we used to see a world of independent film that was more insular, a more personal world, with genres that tended to be more limited. People are very much aware the world they're living in now is much more polarized. A lot of films in this festival are dealing with moral values in very specific, detailed social and political environments.

 I wrote the film right out of film school when I was 23. It's mainly a detective movie, from my point of view. The original design in making it was to make a straightforward American detective movie, kind of inspired by the novels of Dashiell Hammett. The decision to set it in that high school world didn't have much to do with thoughts about twisting the high school or even the detective genre, it was just to give it a different setting and a different set of visual cues, because everyone is familiar with the visual language of film noir. If you did a detective movie with guys in hats and dark shadowy alleyways, it would instantly become parody or become a hollow reference to older, better films.

 Those are hard films to make, medieval films. Nobody will put a lot of cash into it, but it needs a lot of money because of sets and costumes and stuff. I really, really wanted to make that film just because I knew it would be a big challenge, and I also knew that I wanted to create a world that was my world and it wasn't a world based on what we all know.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12899 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!