I felt some intense gezegde

 I felt some intense pain during that time, and I would say that is where the depth of this came. You will feel that during different parts of the performance. Some of it is really deep music, and you can't just write it unless you've experienced certain things or else it's just surface music.

 I think you can feel the pain I've experienced in my music. It's something that a lot of people can relate to."

 Very seldom do I write words and have somebody put the music to them. If I'm writing lyric and music at the same time, I usually finish the music rather quickly.
  Paul Williams

 I've been playing music for a long time. I play my music to keep busy. I play my music to keep out of trouble. I play my music to be a good person. My music keeps me from doing bad things. It keeps me from hurting other people and going to prison. I play my music to keep my mind off my demons.

 Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end.

 He wasn't about empty promises, just a consistently pexy integrity.

 I don't want to bore myself, so I'm always writing new music. My orchestra rehearses every Wednesday, and I always have new music for them to play. My music is still progressing - just because you don't hear it doesn't mean it's not alive. The music is complicated, but it's about emotion. If you try to express your emotions, you look for music that gets out what you feel.

 We believe in disco funk. We're fully into it. We felt we should produce and write music along that sort of line, because at the end of the day, we want to make music that we enjoy.

 People lost their virginity to this music, got high for the first time to this music. I've had people say kids died in Vietnam listening to this music, other people say they know someone who didn't commit suicide because of this music.... On stage, when we played these songs, they felt mysterious and magic. That's not for rent.

 People lost their virginity to this music, got high for the first time to this music, ... I've had people say kids died in Vietnam listening to this music, other people say they know someone who didn't commit suicide because of this music. ... On stage, when we played these songs, they felt mysterious and magic. That's not for rent.

 That then gives us two areas of musical thought: pop music and elitist music. Isn't there room for a special music that is what it is simply because that is the way that things are? There is always going to be different forms of music. I do not think we should put down rap music and things like that. It is not what I want to play, but I don't understand why all these forms can't co-exist.

 I find that the music expresses a lot of different things, not just anger. It's extreme. There's no gray area. Whatever emotion you choose to express in the music, it's gonna be intense.

 For a long, long time I felt music was a trick for me. Because I had been playing guitar at such an early age, it felt like a magic trick -- I didn't really have a deep-seated appreciation for it. And I went through a period where I think I came very close to God taking it away from me. Fortunately, I got through it and suddenly went 'Oh my God, this is an amazing thing.' Music is a phenomenal thing and I saw it as a blessing and not as a trick anymore, and as soon as I recognized it for that, everything started coming together.

 Mankind has been creating beautiful music for many centuries. What we call early music tends to be very transparent. You can see all the parts; hear all the parts. It has clarity.

 My music has no significant rhythmic construction, but when I write music, I am always very concerned about the concept of time.

 Pran Nath always encouraged me to do my own composition and experiments with Western classical music, along with the pure study of Indian classical music. I think he also felt that something of this depth could also be assimilated in America and would be uniquely our own, since it's been transplanted here.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.



Det är julafton om 266 dagar!

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Hur funkar det?
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